When I was in college, I became excited about some poets, Frank O’Hara, Tennyson, C.K. Williams, and some others. This interest stemmed from a poetry class and from hanging around too much in the local used book store. But I’ve never been grasped by poetry, there’s something too arbitrary about it for me. Still, Some poems by Williams in the New Yorker piqued my interest and I picked up his collection, The Singing, which went on to win the National Book Award. There are handful of very moving poems in this collection. Williams’ best poems are grounded by concrete imagery, and they are engagingly anecdotal. But there are too many poems in this book that aren’t tethered to earthly things at all, and it is difficult for the reader to reach them. He writes engagingly about growing old and about war. The best in the collection is called “The Hearth.” It can be found here.
My Thoughts on The Singing by C.K. Williams
In Alexandra Tanner’s ‘Worry,’ Illness Is the Status Quo
In a novel where sisterhood entails constant conflict, illness provides an unexpected emotional salve.
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At Long Last, a Translation Worthy of ‘Pedro Páramo’
The latest translation of 'Pedro Páramo' is a mystifying work, in the dual sense that it is confounding and that its language possesses an almost mystical quality.
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The Collaborative Alchemy of W.G. Sebald’s Photographs
By rephotographing the material Sebald brought to him, Michael Brandon-Jones played a critical role in helping the writer achieve a tonal consistency between text and image.
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Kelly Link’s Romantic Imagination
Though Link’s stories often keep closer bedfellows with Karen Russell and Aimee Bender, her novel is pulpier and more bathetic, in some ways a piece of straight fantasy.
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The Everyday Horror of ‘Other Minds and Other Stories’
In someone else’s hands, these stories might be little more than typeset urban legends, the stuff of 2000s-era AOL email chains, but Sims renders them as something both terrifying and mesmerizing.
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The Violent Truths of ‘Brutalities’
The impulse to simplify the complicated nature of touch, argues Margo Steines, is not just an intellectual but an ethical failure.
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The Truthful Distortions of ‘The MANIAC’
'The MANIAC' is a kind of triptych, presenting us with the conception, painful birth, and exponential growth of the digital computer and its own disquieting offspring, artificial intelligence.
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The Visionary Memoirs of Péter Nádas
'Shimmering Details' is a delicate fusion, supplementing the high-modernist realism of Proust and Musil with an expressionist’s commitment to the distortions generated by strong feeling.
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