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  • Infographic of the Week: Electric Lit presents the 69 Rules of Punctuation in one color-coded, aesthetically-pleasing chart.


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    ~Cara DuBois
  • The Guardian reports that Kinokuniya, a Japanese book chain, has bought 90 percent of the print run of Haruki Murakami’s latest essay collection, Novelist As a Vocation, to be released September 10th in Japan. The company hopes to bring more customers back into bookstores. Need more Murakami? Read our review of The Strange Library.


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    ~Cara DuBois
  • During the Cold War, the CIA became entrenched in cultural life through an organization named, ironically enough, the Congress for Cultural Freedom. In order to fight communism, they funded socialist artists. The Awl has compiled a list of literary journals, including the Kenyon Review and The Paris Review, that were once supported by the CIA.


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    ~Cara DuBois
  • Recommended Reading: Teju Cole meditates on the destruction of the Baalshamin temple in Palmyra, Syria at The New Inquiry. “The destruction of a ruin is like the desecration of a body. It is a vengeance wreaked on the past in order to embitter the future.“


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    ~Cara DuBois
  • “What people call you shapes how you see yourself, and teaches you how to navigate the world. But the moment you name something, you limit the possibilities of what it can be.” Marie Elia, who was trained as a cataloguing librarian, argues that our biases affect the way we describe books at Queen Mob’s Teahouse. Pair with our essay on “A Library of the Mind.”


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    ~Cara DuBois
  • The University of Texas at Austin has recently acquired Kazuo Ishiguro’s archive. The collection reveals early drafts, a pulp Western novel that Ishiguro thought had been lost, and his early attempts at songwriting. “For many years,” he said, “I’ve been in the habit of keeping a large cardboard box under my desk into which I throw, more or less indiscriminately, all papers produced during my writing that I don’t want to file neatly and take into the next stage of composition: earlier drafts of chapters, rejected pages, scraps of paper with scribbled thoughts, repeated attempts at the same paragraph, etc.”


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    ~Bruna Dantas Lobato
  • Recommended Reading: Becca Rothfeld on courtship and gender roles in Murasaki Shikibu’s The Tale of Genji, a classic work of Japanese literature written at the turn of the eleventh century.


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    ~Bruna Dantas Lobato
  • “Why should Serena not respond to racism? In whose world should it be answered with good manners? The notable difference between black excellence and white excellence is white excellence is achieved without having to battle racism. Imagine.” Claudia Rankine writes for The New York Times Magazine about tennis player Serena Williams, racism in sports, and white privilege. Pair with our own Michael Bourne’s list of books that “shed light on the history and evolution of racism in America.”


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    ~Bruna Dantas Lobato
  • Random House is releasing a collection of previously unpublished poems and stories from Truman Capote’s youth, recently found in the archives of the New York Public Library. Over at Full Stop, Jacob Kiernan examines the keen political conscience in Capote’s never-before-published work. As he explains it, “While his early stories are structurally simple, they evince a prescient social conscience.”


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    ~Bruna Dantas Lobato
  • “In Colombia, Mexico, Nigeria, Mozambique, it’s the real thing, not magic, and the only way to tell these stories.” Man Booker International Prize finalist Mia Couto discusses the label “magic realism,” the death of Cecil the lion, his new novel Confession of the Lioness – one of the most anticipated books of 2015, and post-civil war Mozambique. Pair with Philip Graham’s Millions essay on Couto’s fiction.


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    ~Bruna Dantas Lobato
  • New Directions has just released The Complete Stories of Brazilian legend Clarice Lispector, newly translated by Katrina Dodson and edited by Benjamin Moser. There are eight stories in the collection that had never before appeared in English: “Covert Joy,” “Remnants of Carnival,” “Brasília,” “Beauty and the Beast or The Big Wound, “One Day Less” (one of the two final stories left in manuscript at Lispector’s death), “Gertrudes Asks for Advice,” “Another Couple of Drunks,” and “The Escape.” Check out Magdalena Edwards‘s Millions review of the collection.


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    ~Bruna Dantas Lobato
  • In an illuminating interview for Slate, James Wood revises his opinion on David Foster Wallace and discusses how aging can change critics. As he puts it, “At exactly the moment that I wanted really to write, and started writing poems and then trying to write bad fiction, I was reading with a view to learning stuff. I was reading poetry. How did Auden do his stanza forms? And I was trying to copy those. What’s a successful poem, what’s an unsuccessful poem? […] What’s a good sentence? I don’t think I’ve changed. I am as sincerely interested in novels that fail as I am in novels that succeed. I just want to work them out. It’s a pleasure for me actually.” Top it off with Jonathan Russell Clark’s essay on Wood’s The Nearest Thing to Life.


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    ~Bruna Dantas Lobato