March 25, 2013
by Ted Gioia
Stand on Zanzibar is set in the year 2010, and this allows us to make a point-by-point comparison and marvel at novelist John Brunner’s uncanny ability to anticipate the shape of the world to come. Indeed, his vision of the year 2010 even includes a popular leader named President Obomi.
February 11, 2013
by C. Max Magee
We are undoubtedly swayed by the little billboard that is the cover of every book we read.
January 22, 2013
To kick off our new series, Dublin-based staff writer Mark O’Connell has penned an exploration of the internet-era obsession with terrible art – bad YouTube pop songs, Tommy Wiseau’s The Room, and that endless stream of “Worst Things Ever” that invades your inboxes, newsfeeds, and Twitter streams. What, exactly, draws us to these futile attempts at making songs, movies, and art? Read on for the first chapter of The Millions‘ first ebook original, Epic Fail: Bad Art, Viral Fame, and the History of the Worst Thing Ever.
January 10, 2013
These are books that — like Girls — explore what it is like to be young and hungry — hungry for love and hungry for sex, but most of all, hungry for recognition and hungry for adulthood. Ultimately, the girls in these books, like the girls of Girls, are hungry to become the women they will one day be.
January 7, 2013
At 7,900 words strong and encompassing 79 titles, this is the only 2013 book preview you will ever need.
October 30, 2012
CTW’s Sesame Street started in 1969 as a grand experiment to see what would happen if you gave all children (inner city, rural kids, and suburban alike) entertaining pre-school lessons as a head start. When you consider the alternatives, this is an awfully cheap way to educate and unite kids all over the country.
October 22, 2012
by Edan Lepucki
Let’s consider literary fiction as a straightforward genre, like romance or science fiction, with certain expected tropes and motifs.
September 11, 2012
You can critique the critics. You can be a meta-Michiko. Use this knowledge wisely.
August 30, 2012
When I find that a sentence I’m writing isn’t working, I don’t think about what I want that sentence to look like or to be; I don’t pull it from the page to weigh it in my hand; I don’t worry over its internal balance. I simply ask myself, ‘What do I need this sentence to do?’
August 15, 2012
If it sounds like I’m saying, “It’s all about who you know,” that’s because that is exactly what I’m saying. You can rail about how unfair that is, and how it makes publishing into an incestuous little club, and to a degree you would be right. But that’s the way the machine is built, people.