October 11, 2011
by Steve Himmer
I’m a rank amateur, but when I read the Boston Globe’s dismissal of Tranströmer as “an elderly Swedish poet virtually unknown outside his homeland,” it felt necessary to speak up with the voice of an amateur.
October 3, 2011
by Bill Morris
I came upon a book of poems that proved to me that art can be made from absolutely anything, from a night-shift job at Chevy Gear & Axle or a job picking Gravenstein apples.
July 4, 2011
The first edition of Leaves of Grass is a poetical Declaration of Independence in so many ways it can be hard to keep track of them all.
April 22, 2011
by Ben Hamilton
Porter had a united vision of the arts, switching in his conversation between literature, music and painting on a whim, but talking about each discipline with equal authority and interest. And then I read his poetry.
April 21, 2011
As a volume in the cultural history of American poetry, there’s no doubt that Elizabeth Hun Schmidt’s The Poets Laureate Anthology is a valuable text. For starters, it’s the only book of its kind.
March 2, 2011
Two years ago I spent some time in Lenox, Massachusetts, at a house once owned by the poet Amy Clampitt. I slept in her bed, rifled through her books, gazed out the kitchen window at the tree by which her ashes are buried.
January 25, 2011
by Josh Cook
Regardless of how it’s labeled, The Poetry Lesson is a brilliant work.
January 7, 2011
I was suspicious of Ignatz’s subgenre: poetry books that are designedly books rather than collections, their titles linked by a single unifying conceit. The category was proliferating, it seemed to me, cultured by a world of book prizes and writing programs, or encouraged by distinguished precedents and obvious advantages.
July 20, 2010
by Josh Cook
Contemporary war, in America at least, is now defined as much by coming home as it is by shipping out.
June 10, 2010
by Adam Gallari
World War One, when educated and idealistic young men wrote of mustard gas and aerial bombardment using sonnets and couplets.