On Poetry Archives - Page 2 of 6 - The Millions
July 9, 2014
by Leah Falk
Why do some poets perform as though they had just come to in a bad dream?
June 13, 2014
by Bill Morris
When the World Was Rear-Wheel Drive understands that loss is imminent and inevitable, and that the things we have lost are beyond retrieval. That’s what makes it so painful, and so lovely.
April 3, 2014
Poetry and music share a word of process — composition — and are linked by negotiations of melody, harmony, rhythm, proportion, and discord. Here is a poetry playlist: 10 poets offer their composition soundtracks.
April 1, 2014
In a corner of the world far from the western imagination, poetry may stand for something vibrant, illicit, honest, and subversive.
March 27, 2014
For most white Americans born outside the South, the Civil Rights Movement is the stuff of history books — fascinating, but abstract. For people like Taylor and myself, whose families were profoundly shaped by the civil rights struggle before we were born, that turbulent era is acutely personal, and at the same time distant and exotic.
November 7, 2013
No matter how people approach loneliness or solitude or community, we all do. We’re not that different from each other. The way we experience it is different, but we all experience love, pain, loneliness.
October 17, 2013
by Trent Morris
I needed Heaney’s voice to know what a voice could sound like, and through Heaney I discovered my own voice. I learned to listen to the timbre of its echoes.
August 8, 2013
by Greg Gerke
Glück’s work has always “spoken” to me more than many poets because she examines the concerns I have about being in the world: loneliness and being alone, searching for happiness, and desiring to have my feelings validated, though they often aren’t.
July 1, 2013
In this moment of giving thanks and talking about what the new gay future looks like, I’d like to propose a toast to a man we owe more to than we have ever admitted.
May 6, 2013
by Jon Sands
When asked to explain my choices, I’ve said, “Art is how you explain what it feels like to be alive in the 21st century. I am an emotional historian.” But that’s really my answer to, “Why should we all make art?” My why is more personal.