The Millions Interview
October 1, 2013
by Alexis Coe
Meloy made an unexpected foray into middle grade fiction with a 2011 book about 14-year-olds and a magic book that falls into the hands of Russian spies. Despite being a reader in lockstep with this writer, I have absolutely no idea where she’s going. It seemed time to query the writer herself.
September 19, 2013
The first thing to remember is that the government has never, ever respected your privacy. At least not since post-WWI and the Communist threat in America. They’ve been opening your mail for years. They’ve been wire-tapping without warrants for years. The only difference is that it’s easier now.
September 4, 2013
I’d just gone through this break-up and was feeling crushed and heartbroken. I had quit my salaried staff job in advertising and I was running out of money/time. So I said, that’s it. I have to do this. I have nothing else. I have to give it my all and actually finish this novel.
August 13, 2013
by John Bertram
“I think it is a project that is too easy to get wrong, too hard to get right, and with not enough room to experiment in between.”
July 30, 2013
by Evan Allgood
“Why is it that now that I’m a writer I can get a job teaching? My resume as an indie rocker completely dwarfs my resume as a writer — very impressive, lots of press from fancy places and citations and awards and things. But there’s no job for that. How come that is less valid an American art form than writing poetry and saying, ‘I published a chapbook with 500 copies on some little press that some guy runs’?”
July 1, 2013
by Austin Adams
“If I had one worry, it’s that when you start getting told ‘Yes’ constantly—and you see this in all great artists—you get worse.”
June 26, 2013
by Paul Morton
I set up a tripod and posed for every panel. I was drawing myself crying and lying. I got a chair that looked like my psychiatrist’s chair. I posed like my mother. I posed like my psychiatrist. And really, literally embodying these other characters, me and people who were around me, thoroughly immersing myself in that world and that time.
June 20, 2013
by Geoff Mak
We are not choosing between a world without exploitation and a world without culture. They are not in a direct competition with each other, where one must be prioritized, and the other overshadowed or shamed for its insignificance.
June 19, 2013
by Zack Ruskin
“No language could ever be exhausted by any landscape, in particular Ireland.”
June 11, 2013
by Andrew Scott
If people want to call my novel a literary horror novel, that’s fine. I know it makes them feel better in a neat-freaky sort of way. Like balling their socks and organizing them in a drawer according to color. But really, people, it doesn’t matter.