The Millions Interview Archives - Page 16 of 21 - The Millions
June 14, 2011
by Edan Lepucki
“If I do know some of men’s innermost secrets, it’s only because I share them. Men can be curmudgeons, horndogs, misanthropes, selfish, rebellious, crafty, mischievous, and so forth and still be loved – boys will be boys, their foibles and faults can be charming and funny — but girls are another story entirely.”
June 10, 2011
“At times I feel a bit like some skeezy drug dealer, hanging out at the edge of the playground, going, ‘If I can get them to try it just this once, I’ll have them hooked!'”
May 25, 2011
I usually read poetry when I’m trying to write–it makes me swollen with beauty and possibility, with honesty, but it doesn’t call up the urge to imitate.
April 26, 2011
by Paul Morton
Good picture books are meant to be read more than once in order to be properly understood, and the artist takes advantage of the brevity to insert layers of ideas, one on top of another, rather than set out along a linear string. (Warning: gorgeous Shaun Tan artwork inside)
April 12, 2011
by Caleb Powell
The world most people live in has more in common with The Office than, say, Faulkner’s Absalom, Absalom!. But think of how uncommon it is to read a book about someone’s office job. Then count how often a debut author gets compared to Faulkner.
April 7, 2011
by Brian Gresko
“I had a lot of fun writing Swamplandia! because it felt like I could juggle different kinds of worlds. And I feel like in life we’re all sort of operating in different registers all the time.”
April 6, 2011
“I think most writers would love to sell a lot of copies and win awards and do well, because people want to be successful. I understand that, but you can’t think about that while you’re writing.”
March 23, 2011
by Bill Morris
“In the art world when one artist copies another artist, it only helps the artist being copied.”
March 18, 2011
Zambra is at the forefront of Latin American literature. He is young, Chilean, and writes with a poetic lucidity that engages a reader from the first line.
January 14, 2011
by Bill Morris
I wanted to see if I could create literary non-fiction out of short-term memory.