The Millions Interview Archives - Page 16 of 23 - The Millions
April 4, 2012
People are made by the books they read and I think I am finished. That is to say, my making is finished.
March 20, 2012
“I have a sort of dark past as a technology journalist and I’ve always been interested in communication systems, both as technological artifacts and as the building blocks of social life. In my book I’ve become very interested in the ways that we’re enmeshed in these systems.”
March 13, 2012
by Nora Maynard
Readers, have you seen any good interrobangs lately? I sat down with Penny Speckter, the 92-year-old widow of the mark’s creator, to talk about her memories of her husband, his passion for typography, and about her own experiences as a woman working in the heady world of advertising during the Mad Men era.
February 27, 2012
by Bill Morris
“If you fall in love with your subject, you can so identify with your subject that you lose something of your own self to it. The first two biographers of Malcolm Lowry who was a suicide, they both killed themselves. Maybe they had that inclination to begin with. But that can happen.”
February 17, 2012
I had worked as a taxi driver, a stockbroker. A fishing trawler. I had many kinds of jobs. And I know this is the greatest job that you can have. To actually get up in the morning and people are paying you to do what you really want to do. To come up with these stories.
January 31, 2012
by Adam Boretz
Accessibility is such a strange, sad measure of the writing I love. Dora the Explorer is accessible. The Unconsoled is not.
January 27, 2012
by Edie Meidav
While evil is obviously universal, various forms of evil portrayed in The Uninnocent do seem to me to be distinctly American. An unstable idealism that sometimes erupts into irrevocable acts of violence or crime does reside in the hearts of many of these characters.
November 15, 2011
“I wanted to honor the memory of this gay man who was silenced in so many different ways — by his chronic stutter, by his outré sexuality, by the labor camp, and finally by his brother, Vladimir Nabokov, who failed to mention Sergey’s existence until the third version of Speak, Memory.”
November 7, 2011
by Paul Morton
“I was so hoping that we could get beyond the whole gay writer thing now, which I feel stuck in.”
November 3, 2011
“You have to sink in order to write a book. I don’t mean in a depressive sort of way. You have to diffuse as much as anything else. Just in those early days — to lose control of it and to be helpless and not know what you are doing. And then the focus comes sentence by sentence.”