The Millions Interview Archives - Page 10 of 22 - The Millions
May 17, 2013
by Hope Mills
I don’t like hierarchies, I don’t like the notion of the exalted thinker/writer who gazes from a distance. I don’t like people writing about worms without spending some time taking in the worm’s view of life.
April 25, 2013
by Edan Lepucki
A photograph captures a moment of time, but then time itself moves past that moment into the future. When we look at a photograph, we are looking at time stilled, at a moment that has died.
April 18, 2013
I think digestion is another lurid, taboo subject — particularly from the navel down. But even what goes on in the mouth is an unthinkable, revolting thing that no one wants to think about. There was a sense that this was right up my stinky little alley.
April 16, 2013
The whole Sylvia Plath life story has been approached in a reductionist way. I wanted to do something different. Because when I read her journals I see someone who’s so lively, so hungry for life, and really engaged in the world in a relatable way.
April 3, 2013
I always assume everything that I read is fiction, even if it’s in the non-fiction section. The very notion of putting something on paper means that you are creating a narrative.
March 25, 2013
When I realized that they were really going to let me do whatever I wanted to do, I was like, “Well, shit, let me rethink this…”
March 5, 2013
by Adam Boretz
Surround yourself with trustworthy people, put your knife between your teeth, unplug, stop talking, and write.
February 28, 2013
I feel like various dead writers are dear friends of mine — from Woolf to Plath to Duras to DFW — their lives and lessons and warnings and urgings are constantly informing my own, challenging my own.
February 26, 2013
“The laughing reader doesn’t feel the knife until it’s in his chest. The reader who is laughing at something they don’t think they should be laughing at experiences a catharsis. I’d argue that’s more valuable than providing someone with an orgasm.”
February 25, 2013
In 2003, Lasdun taught a course in creative writing at a college in New York. His most gifted student was an Iranian-born woman in her early 30s. They emailed back and forth, and an online friendship began to develop. The book is an exploration of the effects of this relationship turning sour. Give Me Everything You Have is a harrowing account of what it’s like to have someone expend a great deal of time and energy on the project of damaging your life for no immediately obvious reason.