Screening Room Archives - Page 5 of 15 - The Millions
October 30, 2012
CTW’s Sesame Street started in 1969 as a grand experiment to see what would happen if you gave all children (inner city, rural kids, and suburban alike) entertaining pre-school lessons as a head start. When you consider the alternatives, this is an awfully cheap way to educate and unite kids all over the country.
October 26, 2012
Cloud Atlas is no mere adaptation: it’s a big, ambitious structural overhaul, one that has been likened by Mitchell, amongst others, to a mosaic, all of his Russian dolls smashed to pieces and carefully reassembled.
October 5, 2012
by Jeff Martin
With 1989’s Field of Dreams, my Costner man crush truly began. I honestly don’t remember seeing it in the theater. It must have been VHS. Either way, I remember the feeling. That film, pie-in-the-sky as it may be, still gets me.
September 18, 2012
Films rely on our familiarity with Hollywood-established Literary Personality tropes: needy yet reclusive, lecherous yet noble, wise yet drug-addled. You know, writers.
July 12, 2012
by Mindy Hung
He tries his best, but let’s face it: SALMAN RUSHDIE, fatwa survivor, ex-husband of Padma Lakshmi, plays an obstetrician who is not using enough gel while operating an ultrasound machine. Disbelief has not been suspended if the audience starts yelling, “Use more gel, Rushdie! Use more gel!”
June 18, 2012
When I first began to watch The Killing two months ago, I told a friend who’d been watching since day one. His reaction was vehement. “Goddamn FUCK THE KILLING. I keep watching it and it keeps NOT GOING ANYWHERE. And yet I cannot stop watching.”
June 4, 2012
Mad Men is about to disappear from our lives once again, leaving us to grapple alone with our complicated nostalgia for an era when men were men, women were secretaries, and alcoholism was glamorous. These books give a closer look at the era.
May 10, 2012
by M. M. Owen
A large part of On The Road’s powerful and ongoing appeal undoubtedly stems from the lyricism of its language — as opposed to its linearity, or even narrative coherence. Translating this to the screen could quite simply be impossible. Indeed, one suspects it is the reason that, up till now, so many screenwriters have failed in turning Kerouac’s text into visual form.
February 24, 2012
If the publishing industry really does collapse, as some predict it will, it won’t be the big houses or the independent bookstores that will be most affected, it will be Hollywood. This year’s crop of Oscar contenders begs the question “Can there be a cinema without books?”
January 20, 2012
The current PBS Masterpiece series mashes the “class” buttons hard, in both the literary and the economic senses. But its relationship with the English novel is more complicated than it might appear.