Screening Room Archives - Page 4 of 16 - The Millions
February 19, 2014
Like much current prison literature, Orange is the New Black seeks strenuously – and tellingly – to reaffirm the triumph of the human spirit. Rather than dwell on her misfortune or become too accustomed to prison life, Piper Kerman stages a protest, Oprah-style: no one can keep her down.
January 23, 2014
by Bill Morris
This year’s five nominees spring from material that varies widely in tone and quality. This source material is not all bad, by any stretch. But there isn’t the handiwork of an untethered imagination in the pack.
January 22, 2014
We are not revisiting these characters and conceits because we are out of new ideas. A very old idea resonates; it comforts and entertains. In the case of Sherlock, even after all these retellings, it still manages to surprise.
October 21, 2013
What is the wider cultural influence of literary magazines? I am not sure there needs to be one.
September 27, 2013
It seems clear that if Tennessee Williams and Lorraine Hansberry were writing today they would be showrunners for a cable series, because that’s where the audience is.
September 18, 2013
by Merve Emre
It is the unholy alliance of Hitler and Mickey that tees up Urwand’s central claim: from 1933 to 1939, the Jewish moguls who ran Hollywood’s studio system “collaborated” with the Nazi regime, censoring and even quashing films that represented the German state in a negative light.
August 26, 2013
The books on this list range from the personal to the mythological to the journalistic, and some intertwine all three. They all depict a world of stark contrasts. There is danger here.
August 6, 2013
by Bill Morris
We’re deep in Bret Easton Ellis country here, southern California zip code. Which means there will be sex and there will be blood and anything goes and nothing matters.
July 25, 2013
The Unfortunate Legacy of Richard Matheson: On the Roots and Unfairly Repellent Qualities of Less-Than-Stellar Film Adaptations 6
It seems worthy of a Twilight Zone episode: Richard Matheson. 87. A writer and screenwriter and noted figure in the annals of contemporary literature. He’s about to find out, though, that simply producing an effective story is not enough. When adaptations are concerned, sometimes, an effective story is just what one needs to produce a completely ridiculous and terrible story. Richard Matheson is entering a world beyond sight and sound. He’s about to arrive…in The Twilight Zone.
July 17, 2013
Whether or not to read Peter Biskind’s My Lunches with Orson: Conversations Between Henry Jaglom and Orson Welles is simply decided: do you care, at all, about continuing to admire Orson Welles as an actual person and artist, or are you happy to have that illusion exploded by a sad, embittered caricature performing great feats of persona for a sycophant with a hidden tape recorder?