September 30, 2013
by Bill Morris
Kevin Barry’s new collection of stories, Dark Lies the Island, shares the virtues that made his debut novel, City of Bohane, such an astonishment. There is rich music, high humor and deep blackness on every page.
September 26, 2013
by Hannah Gold
These stories are quirky, creepy, even awkward and gimmicky in parts, the way a fairytale can be when one puts away childish things. Bender’s great gift to us all is her fierce unwillingness to give up her childishness.
September 25, 2013
by Buzz Poole
Using the New York City borough of Queens as a linchpin, Jonathan Lethem’s latest novel questions the American twentieth century’s “great comedy: that Communism had never existed, not once. So what was there to oppose?”
September 24, 2013
by Kaya Genc
Not all books can make us cry and those that do are often so shamefully sentimental that we can’t easily admit to reading them, let alone crying with them. This, however, is not the case with Julian Barnes’s Levels of Life, a novella-length text in three chapters, which produces in its reader tears of the most literary kind.
September 20, 2013
by Janet Potter
A great pie is a product of both skill and wisdom; as, I believe, is a great life.
September 18, 2013
by Rachel Panny
If this new project, hyped as one of the great literary reveals of our time, cannot help us find Salinger, what can?
September 18, 2013
by Merve Emre
It is the unholy alliance of Hitler and Mickey that tees up Urwand’s central claim: from 1933 to 1939, the Jewish moguls who ran Hollywood’s studio system “collaborated” with the Nazi regime, censoring and even quashing films that represented the German state in a negative light.
September 13, 2013
The writing is clear and economical, and to Maksik’s credit it never competes with Jacqueline’s ongoing plight. Add a plot so tightly focused on her immediate hardships and the unbreakable link to her mother, whose voice comes to her in memory with advice both wanted and unwanted, and Maksik seems to have set up an absolute gauntlet for himself.
September 11, 2013
David is the vehicle for Coetzee’s effort to explore belief’s ability to conquer doubt — more particularly, the doubt of Simón — and of the way fantasies can coax even doubt itself into becoming a form of trust, of faith, of belief.
September 10, 2013
by Ben Hamilton
Nick Coleman, a long-time music journalist in the UK, was made aware of his body’s terrible capriciousness when one of his ears stopped working. It left a dull blankness for a while, and then a building cacophony of tinnitus in both ears so severe that balance and concentration became almost impossible. Burdened with what could have been a ruinous impediment, he reaffirms his love of music.