Reviews Archives - Page 10 of 83 - The Millions
February 22, 2016
We are, in short, not watching movies — or living our lives — with the full capacity that once seemed so natural to us.
February 18, 2016
I started Jhumpa Lahiri’s new memoir expecting to find a story about the joys and struggles of learning Italian as an adult, and as a writer. But Lahiri did not write the book I was expecting — and which I think many other readers might be primed for. Instead, she has written an elegant, if somewhat oblique, memoir about creative crisis.
February 17, 2016
by John Yargo
In 1994 alone, John Cleve wrote 44 novels, including Punished Teens, The Chronicles of Stonewall 7: Captives of Stonewall, and Buns, Boots, & Hot Leather.
February 16, 2016
by Ellen Akins
Do we want something different, something new, some sense that, with the same words, in the same world, we might, through the workings of fiction, find a way to rethink reality — and to find the familiar strange, the world an ever bigger, more interesting place?
February 10, 2016
by Matt Seidel
I tucked a copy of Suzanne Berne’s latest, The Dogs of Littlefield, under my arm before being tugged out the door by my basset hound.
February 8, 2016
This is a rather defensive and sometimes irritable book, an act of muffled aggression by a man besieged and yet conscious of occupying a privileged position in the world.
February 4, 2016
by Bill Morris
What is news, as Tim Parks points out, is that the ascendancy of economic considerations over artistic ones in the publishing industry has led to “a growing resistance at every level to taking risks in novel writing.”
February 3, 2016
by Sonya Chung
You feel, as you read, that you are being swept away by this delicious plot and voice, and that the novel wants to be read slowly — is actually smarter and deeper and more intricately constructed than can be appreciated at its decidedly propulsive pace.
January 27, 2016
We raided a lot of mock houses, shot a lot of balloons and silhouettes, and read true stories of valor and bravery. I value all of that, still, because it contributed to my men coming home, to me coming home. But we didn’t study or talk much about moral courage. And that mattered a lot over there, and it’s what Hersey focuses his novel on, at the expense of more standard war tropes.
January 14, 2016
It heartens me to think that in 100 years, a young gay reader may no longer recognize the experience in this book as his own, as I don’t quite recognize mine in Giovanni’s Room.