January 22, 2014
In Claire DeWitt, Sara Gran has given the hard-boiled detective a good, hard hipster twist, creating a character with a savagely vigilant mind and a black heart always on the verge of breaking.
November 29, 2013
by Paul Morton
The civil rights movement is a brutal place, where young men torture themselves for the great cause, and where the moments of euphoria are all too rare.
November 27, 2013
by Shaun Pett
Where You Are, an anthology of sixteen maps by an eclectic mix of writers, artists, and thinkers, delights in leading the reader astray by blowing up the conventional conception of the map.
November 19, 2013
by Will Heyward
This is fiction as a never-ending car chase, and you might just get away if you can only stop your vehicle from turning into a lampshade.
November 14, 2013
by Bill Morris
To read Jason Schwartz is to enter a fugue state, in both senses of the word. His writing is, like a musical fugue, a mesmerizing series of themes stated successively in different voices; it is also, in the psychiatric sense, a state marked by wandering and an inability to remember one’s past accurately. It is a state unlike any other.
November 8, 2013
by Kevin Nguyen
While the characters featured in Hatching Twitter feel more like archetypes than actual humans, it’s hard not to eat this stuff up. Aspects of Dorsey’s behavior are hilariously juvenile. After being ousted from the company, he continued to take any and all interviews about Twitter, feigning authority when answering questions he did not know the answer to.
November 7, 2013
by Jeff Peer
With the character of the abandoned, grieving mother, Alarcón gets at the heart of the drama, the emotional core of the displacement problem. Because, even if a son sends money home every week, he still isn’t there. His clothes still sit in the drawers, eaten by moths, his bedroom covered with dust.
November 5, 2013
With a billion swirling atoms of possibility and just that one fixed coordinate, a story takes shape as van den Berg brings the unexpected into brilliant focus.
October 29, 2013
by Teddy Wayne
The funny guys and girls who are confident (it was dawning on me, there at that orientation) are the ones who hold court at parties. The funny guys who are diffident become comedy writers. Or, as I once read in an interview with an Onion writer speaking about the makeup of its staff—the closest thing we have to the National Lampoon in its heyday—they’re the guys who are outside the party, making fun of the guy inside telling jokes.
October 28, 2013
One thing that makes Roth Unbound interesting is that Pierpont was able to interview Roth in the first years of his retirement. You can feel Roth’s reflective, relaxed state of mind as he looks back on his career, cataloging his regrets and triumphs.