November 19, 2014
by Paul Morton
When you read a comic, you are accepting a direct message from one singular honest soul. Your hand touches theirs. That soul can be strange. That soul can be sick. And it can also be oh-so earnest,
November 17, 2014
by Marc Mewshaw
Denis Johnson’s newest novel twists the formula of the spy thriller into a blistering, bleakly funny portrait of modern-day West Africa
November 14, 2014
Wrapping up issues of corporate welfare, media sycophancy, sanctioned brutality, and beating them with an angry stick, Almond’s screed is less an assault on football than the organization that aids and abets its worst behavior.
November 12, 2014
What I admired most about these essays is the way each one takes its own shape, never conforming to an expected narrative or feeling the need to answer all the questions housed within. D’Ambrosio allows his essays their ambivalence.
November 10, 2014
by Rob Sharp
For fans of these painstakingly crafted books, the revelation that Frank is existentially adrift might not be news, but it’s rare to see both Ford’s literary approach and Frank’s disconnection laid out with such brevity.
November 7, 2014
‘Fat Man and Little Boy’ is what it would sound like if Dylan Thomas wrote about the atomic bomb.
November 5, 2014
The stories here are very much about familial love, and all the things can go wrong for, or in, a family.
October 30, 2014
In this meeting ground of living and dead, can anyone find comfort?
October 27, 2014
by Matt Seidel
Cowardice is the flaw that dare not speak its name, or as Walsh wryly puts it: “Every other species of human baseness, it seems, has rated a monograph.”
October 24, 2014
Lahr states in the preface that he constructed the book closer to a profile than a traditional biography. In this way, he listens to the music. Texture, seemingly improvisational moments, comes from the layering of different sounds. Elements overlap and knock up against each other.