August 4, 2011
Hot debuts, Young Lions, 5 Under 35… the publishing biz has decided that the kids are all right. But where does that leave those of us on the far side of 40?
July 27, 2011
by Miles Klee
If you can’t be a unique writer, have the markings of a generic. Glamorize your squalid room in the bohemian part of a bright metropolis. Peddle opinions on the books you read (if you read). Consort with other writers.
July 20, 2011
Books as books – as tangible things you can hold in your hands and show off to curious onlookers on the subway and friends who visit your apartment – are something I hold in high esteem. But there is, as I say, some pleasure in letting go, in allowing a book to get wet, in treasuring a book not for what it looks like but for what it says.
July 18, 2011
by C. Max Magee
Classical music and a taxi ride kick off Murakami’s long awaited novel.
June 16, 2011
We brought the world of Ulysses to, say, the Tivoli, or the Grand Canal, or the Art Museum and the Rocky statue.
June 14, 2011
When do we, as writers, accept that a piece is as good as it will ever be, even if it’s not that great? When do we decide that a piece will never be good enough to be published?
May 23, 2011
by C. Max Magee
A bookish first paragraph kicks off this new novel set to come out in October.
May 19, 2011
The market for children’s books is probably more resistant to cultural churn than just about any other slice of the consumer economy; it’s a closed circuit that reproduces itself one generation after another.
May 5, 2011
By the latter half of the decade the slide was irreversible: if Blockbuster had been injurious, Netflix was a cancer. And so was On Demand, Hulu, and the thousand other ways we now put stories before our eyes.
March 25, 2011
As a reader and writer, the current moment is endlessly confusing to me. Sometimes I feel like I’m on a one-man mission to save publishing, buying books weekly from indies and chains alike, for the sake not only of my future work, but that of future writers, young people far from urban centers, dreaming up stories in Texas or Idaho or Michigan.