Essays Archives - Page 81 of 104 - The Millions
August 26, 2010
World War Z is not a shallow book by any means. But World War Z never quite manages the same level of moral pique as The Good War and the now obscure former bestseller Warday, a bleak speculative oral history of America after a nuclear attack.
August 23, 2010
by Ujala Sehgal
Fictional characters enjoy exaggerated attributes, but few have the sort of beauty that marks Julien Sorel, where the beauty is not only essential to his character, elevating his soul, but outside of it, dictating his destiny. If beauty can be distilled from its specific fictional forms, does it have a cogent power of its own in literature?
August 20, 2010
Death is hidden somewhere in the middle of the book, and it doesn’t mean a thing.
August 19, 2010
What might you have already read that suggests you’ll like David Markson? Tough call, since, for good or ill, nothing’s like David Markson.
August 17, 2010
I began to suspect I was too susceptible to the idea of the “writer’s desk” and decided it might be better to do without one. Somewhere along the way, I began to work in libraries. More important, I began to get work done in libraries.
August 13, 2010
The effect of all the detail and incident César Aira can offer on such a small canvas is vertiginous, like reading an epic poem etched on a grain of sand.
August 12, 2010
Panic attacks, advance reviews, firearms, squirrels, and chocolate milk: One writer’s diary leading up to the day his debut novel is published. Or: “The Ecstasy and Agony of My First Novel Being Published.”
August 10, 2010
Often, until I am directly confronted with the sight of a girl and her book—a sight outside the purview of my current routines—it can slip my mind that I, too, used to read like that. To love reading like that.
August 4, 2010
by Doug Bruns
It would be a pity should your books sink to the depths in the fuselage belly along with your neatly folded underwear. It could happen.
August 3, 2010
by J.C. Hallman
A contradictory set of truths about books and publishing in the abstract: don’t repeat yourself, and don’t write books that are too different from one another. Other writers will pillory you for the first, and publishers will be more than happy to pigeonhole you from the moment you achieve anything like success. Blow out your advance? Great. Now write the same exact book again.