Essays Archives - Page 81 of 99 - The Millions
April 15, 2010
How many complications of time and viewpoint novel can a stand and remain viable—and by “viable”, I think I mean both “elegant” and “not completely baffling.”
April 14, 2010
In order to enjoy the Twilight novels, you have to be willing to enter into an intense emotional and hormonal fundamentalism, the twin of the moral fundamentalism apparent in Meyer’s refusal of nuance and ambivalence in favor of an either/or approach to good and evil.
April 9, 2010
The vampire of our cultural moment has become a “vegetarian” of sorts, a Whole Foods shopper–an individual who prefers humanely raised, sustainably farmed food. From the shimmering pâleur of the vampire radiates something new and hardly otherworldly: an aura of white liberal guilt. But maybe it’s only skin deep?
April 8, 2010
Perhaps all those years of reading adventure stories had given me a vocabulary of action, a means to save my father’s life, as if I’d been preparing, through books, for those charged moments without knowing it.
April 2, 2010
Thomas M. Disch possessed a nightmarish imagination that combined J.G. Ballard’s apocalyptic despair and Philip K. Dick’s nightmares.
March 29, 2010
by Kirsty Logan
Three contemporary retellings revisit the Snow White fairy tale. They all twist the old story, but do they subvert it?
March 18, 2010
A writer is like a goose inside a cloud. You fly by moving your fingers across a keyboard, hoping to write your way out of confusion and into something that makes sense to you and others.
March 16, 2010
One somewhat disquieting effect of reading War and Peace is that the more your own thoughts show up in its pages, the less original your life begins to feel.
March 15, 2010
by Luke Epplin
In Chile, one learns the word for earthquake before the word for thunder, a consequence of living in a country where thunder rumbles infrequently but the earth shakes every few months.
March 11, 2010
by Andrew Tutt
Should epigraphs be thought of as part of the text, a sort of pre-modern, post-modern device, like tossing a newspaper clipping into the body narrative? Or are they actually a direct invitation by the author, perhaps saying, “Look here, for from this inspiration came this tale?”