Essays Archives - Page 73 of 93 - The Millions
June 11, 2010
by Bill Morris
Ghostwriting used to be book publishing’s dirty little secret. No more. Today a growing cadre of writers are discovering that checking their ego at the door and telling someone else’s story can make them very successful, very rich and, in at least one case, as close to happy as most writers will ever get.
June 9, 2010
by J.P. Smith
Childhood and adolescence are the great gateway experiences to adulthood, middle-age, the so-called golden years, and then decrepitude. All that, waiting to be unpacked. By that time it’s too big for a backpack. We’re talking about a whole civilization you’ve buried in your backyard.
June 8, 2010
by Edan Lepucki
I’ve always sought out writing metaphors and similes because they articulate the strangeness, joy, and frustrations of such an abstract activity, one that requires you to dream and to focus at the same time.
June 4, 2010
Traditionally Spanish publishers stuff their books with introductions and notes. You have to skip the fifty pages of critical essays to read the twelve pages of poems. Although I don’t think this novel needs all of that, an answer key, a cheat sheet, what in Argentina they call a machete, might do.
June 1, 2010
Defending his prose, Theroux once likened it to “a Victorian attic.” He delivers more inner life than outer, more desire for vengeance than for anything else, and more sheer stuff per page — stuff you don’t expect — than any other novelist.
May 25, 2010
by J.C. Hallman
Conservative “utopias” reject the idea that government or planning of any kind can make the world a better place. Here’s why that’s not utopian: that’s how civilization started.
May 24, 2010
What appealed to me most about Murakami’s essay was the way it joined something very big, like writing a novel, with something very small, like what time each day to go to bed.
May 20, 2010
I see now that writing has proven at least as costly as a pony could have ever been.
May 18, 2010
The fascinating history behind Shakespeare’s “lost” play and the new research that suggests it is real and, therefore, the closest we can get to a new work by the master from Stratford.
May 17, 2010
The author of Reality Hunger explains it all for you: “When I began, I was just trying to follow the Kafka dictum ‘A book should be an axe to break the frozen sea within us.'”