Essays Archives - Page 72 of 110 - The Millions

January 24, 2012

Fragmentary: Writing in a Digital Age 26


Fragmentary writing captures the tension between “digital” and “analog” reading better than anything else out there. And that tension, in many ways, is the defining feature of the contemporary reading experience.

January 23, 2012

Where Parents Get Their Power: Evidence from The Brothers Karamazov 10


It occurred to me that the Grand Inquisitor’s interpretation of the Temptation of Christ effectively describes the power I hold over my two sons.

January 20, 2012

The Literary Pedigree of Downton Abbey 9


The current PBS Masterpiece series mashes the “class” buttons hard, in both the literary and the economic senses. But its relationship with the English novel is more complicated than it might appear.

January 20, 2012

HBO (Isn’t) Filming The Corrections at My Parents’ House: TV and Fiction 16


She cut me off and asked whether she should call HBO. She added that they offered anywhere between $1,000 and $3,000 for every day they were filming. My response was something along the lines of: “YOU HAVE TO TELL THEM THAT YOU WILL DO WHATEVER IT TAKES TO FILM THIS SHOW IN OUR HOUSE.”

January 18, 2012

Escapism for Moms: Three Chronicles of Fatherhood 6


I found myself cheering these elusive mothers: Let her work! Let her sleep! Let her leave town! Some of my fondest feelings toward my daughter, I must admit, rise up in me when I imagine her at home with her dad.

January 11, 2012

My Hour of the Star: On Clarice Lispector 5


Whether through direct address or the urban intensity and flat out strangeness of the prose, the reader cannot lurk behind the book’s spine, but rather is constantly called upon.

January 10, 2012

Writing the City 6


They say fiction requires conflict; well, when New York was a war of all against all, you had all the conflict you could handle any time you put your feet on the street.

January 9, 2012

The Story Behind the Story: An Appreciation of Authors’ Acknowledgments 19


At their best, acknowledgements can be finely-wrought short stories with the author as protagonist. At least one acknowledgements has made me cry.

January 5, 2012

The Politics of Art: Middle Eastern Women in Fiction and Film 4


We often receive depictions of Middle Eastern women as submissive and helpless, forced to hide their bodies, and we hardly ever discuss their determination as individuals.

November 30, 2011

Naples and The Gallery 2


John Horne Burns’ The Gallery was his first book, a chronicle of the chaos and beauty and horror of occupied Naples in 1943 and 1944. It’s an interesting hybrid: a novel in which stories alternate with an elegant travelogue, and the travelogue appears to be the author’s memoir: “I remember that at Casablanca it dawned on me that maybe I’d come overseas to die.”