Essays

September 9, 2010

How China Miéville Got Me to Stop Worrying and Love the Monsters 32

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I wasn’t quite sure what to make of the novel. Was it just a delicious stew of weirdness? Was it an allegory about the need for solidarity among the underclass as it fights prejudice and oppression? Whatever it was or was not, the book whetted my appetite for more.

September 8, 2010

Is Big Back? 22

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A mini-boom in big books would seem to complicate our assumptions about the Incredible Shrinking Attention Span.

September 1, 2010

Reading and Race: On Slavery in Fiction 12

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As a white reader, I’m simultaneously made to understand the experience of slavery, and I also must wrestle with how I’m implicated in that past.

August 26, 2010

Oral History at the End of the World: World War Z and its Cousins 3

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World War Z is not a shallow book by any means. But World War Z never quite manages the same level of moral pique as The Good War and the now obscure former bestseller Warday, a bleak speculative oral history of America after a nuclear attack.

August 23, 2010

Beauty, Youth, and Their Discontents 1

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Fictional characters enjoy exaggerated attributes, but few have the sort of beauty that marks Julien Sorel, where the beauty is not only essential to his character, elevating his soul, but outside of it, dictating his destiny. If beauty can be distilled from its specific fictional forms, does it have a cogent power of its own in literature?

August 20, 2010

On Coincidence, Love, and The Unbearable Lightness of Being 6

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Death is hidden somewhere in the middle of the book, and it doesn’t mean a thing.