Marilynne Robinson’s Singular Vision

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In my experience, there are two types of Marilynne Robinson readers: 'Housekeeping' people and 'Gilead' people.
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Pineapples in a Hothouse: Writing Culture in ‘Dear Committee Members’ and ‘Twilight of the Eastern Gods’

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As a promising Albanian writer, Kadare was invited to Moscow, where he met the odd mix of Party sycophants and belles-lettrists that was the Soviet intelligentsia.
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Sex and the Single Librarian

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One of the frustrations of being a librarian is the occupational stereotyping. Librarians tend to be depicted in books and movies as elderly spinsters, rigid and frigid. More recently, in a predictable attempt to subvert convention, the slutty librarian trope has emerged: young, hot-blooded, yet not exempt from the cats-eye glasses.
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Magical Thinking: Talent and the Cult of Craft

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As creative writing education continues to expand from a narrow field pursued by a devoted few to a profitable industry employing thousands, perhaps we should pause a moment to reflect on precisely what is being sold and what assumptions underlie the transaction.
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I Just Didn’t Like Her: Notes on Likeability in Fiction

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Lately, I've been thinking: If I were a fictional character, would readers hate me?
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Reading Together Even While Reading Alone

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You cannot remove a book from the List until you’ve read it entirely—because until the last paragraph, anything can happen.
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Infuriating, Possibly Illuminating: On ‘The List of Books’

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What sets The List apart are the thirteen Michelin Guide-type symbols (a magnifying glass, an American flag, an armchair, etc.) that Raphael and McLeish used to flag titles as (for example) a “major masterpiece,” a “seminal work that changed our thinking,” and “a particular pleasure to read.”
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The Boy Who Would Be Crichton

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That Crichton’s magnum opus involved dinosaurs – my other great childhood obsession – seemed to dictate that my own should, too. The rest, I assumed, would come naturally to a prodigious talent such as myself.
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Almost Famous

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It wasn’t just that no one wanted to embarrass themselves by fainting or kissing Keith Richards' boots; it was that we all felt the need to guard against the possibility that his super-abundant existence might envelop our own.
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What to Read When You’re Not Expecting

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I was trying to reassure myself that whatever was happening to me was common enough, normal enough, to easily crop up in my regular life reading.
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The Art of Terror: Robert Aickman’s Strange Tales

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We might be blocked from seeing what lies beneath the surface, but we know it’s formidable and chilling.
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The Timeless – and Timely – Allure of the Near Future

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If today’s crop of books, movies and TV shows set in the near future are an accurate barometer, it looks like we’re in for some filthy weather.
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When Updike Met Barth

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Barth continued to express admiration and respect toward Updike. Updike returned the praise, though more often with soft mentions that he hadn’t quite finished Barth’s most recent books.
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The Art of Dialogue: A Symposium

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Everybody, shut up. Now, I realize that a group of writers like yourselves would jump all over the chance to point out the irony of me beginning a symposium on dialogue by telling everyone to shut up, but I don’t want to hear it, okay? Let’s just get this over with. Jane Smiley, let’s begin with you.
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Sex, Memoir, and the Real Lena Dunham

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Lena Dunham and Helen Gurley Brown are two women who wrote memoir-manuals more than a half a century apart but have been treated very similarly in the press. They weren’t honest enough. They were too honest—narcissistic navel-gazers.
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The Curious Kick of Hearing an Actor Reading Your Writing

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“When I read a book I’m listening to what the author wrote,” says the actor Kevin Kenerly. “Some people look at a novel as a text, but I look at it as language.”
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Remembering Les Plesko

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The tragedy of Les, as well as his greatest virtue, lay in his absolutely uncompromising stance on art and life: the world of commerce and the world of Absolute Art is a Venn diagram with a very small overlap.
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Natasha: On a Storyteller Raised by a Wolf

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I used to think that, until I began reading and writing in college, I had no literary education, but I was wrong. I had Natasha.
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