August 5, 2014
Close writing really is an amazing thing. Consider that this essay right now has been narrated in the third person, and yet there is no question as to what Clark’s opinions are.
August 4, 2014
We are living in the midst of the worst die-off since the dinosaurs fell victim to an asteroid 65 million years ago. Whatever the proximal causes, human beings are the asteroids this time.
July 31, 2014
by John Yargo
Read the stories. Read the novels. Just read Hrabal.
July 25, 2014
by Ted Gioia
Cosmicomics is that rarity among progressive texts: its premises are absurd and almost incoherent, yet the plot lines are filled with romance, drama, and conflicts that draw the readers deeper and deeper into the text.
July 24, 2014
My first response to the new edition was to wonder whether it was an attempt to steer readers away from the unsavory aspects of the novel, a trigger warning-age sanding down of edges.
July 17, 2014
A less-heralded casualty of the digital age is the disintegration of the lower rungs of the ladder that have long led young, smart readers into the caste of professional tastemakers.
July 15, 2014
by Kaulie Lewis
This is what college should be like — all shade, dusty books, and lofty conversation.
July 14, 2014
“Four titles, four agents, at least a dozen drafts, and more rejections than I care to count…”
July 8, 2014
Opening sentences are not to be written lightly.
June 30, 2014
The sheer originality of Flannery O’Connor’s stories shows students how amplifying their surrounding world can make great fiction. Now, 50 years after her death, when she is a staple of syllabi and the very canon that previously excluded her and other women, it is most important to stress fresh approaches to her work within the classroom.