Essays Archives - Page 19 of 98 - The Millions
June 8, 2015
Writers should realize that the novels that are remembered, that become monuments, would in fact be those which err on the part of audacious prose, which occasionally allow excess rather than those which package a story — no matter how affecting — in inadequate prose.
June 3, 2015
How do writers get better at telling stories? Attenberg has some theories. First: getting older. She wrote The Middlesteins in her late-30s, with three books to her name and some perspective on the person who wrote them.
June 2, 2015
The weekly ritual of mowing, of men and women walking their property like mechanical monks, is fodder for literature.
June 1, 2015
Can every writer be a Nicholson Baker? Can every athlete be an Isiah Thomas? I don’t know. But what I can say is that in both the athletic and literary worlds, interested parties find themselves asking whether the ratio for a successful career skews more toward aptitude or labor.
May 28, 2015
by Sonya Chung
We know that we became absorbed, that we experienced great pleasure in watching, and that we couldn’t wait for each new season to begin. We know, or feel at least, that we have participated in something significant, a cultural moment. But what I want to know now, or try to know, is this: Is it art?
May 27, 2015
by Matt Seidel
“Got any good books to recommend?” For me, the equivalent of a politician’s “gotcha” question.
May 26, 2015
by Nick Moran
Some of the most exciting works in the canon of “Floridapocalyptic” writing are not necessarily warnings about natural disasters and tropical storms. The four works below are more imaginative takes on the state’s doom, each offering a glimpse into yet another way that night could fall on the Sunshine State.
May 21, 2015
Writing about sheep is a thread that twists through 20th-century explorations of the British landscape, and one that I have become eager to unravel.
May 20, 2015
Sneed offers, with quiet confidence, her characters’ increasing complexities. People, like the best art, deserve more than one interpretation. There is little black and white contrast in Sneed’s work, and she lingers in every gradation of shade in between, as if gray were a full palette of color.
May 18, 2015
The human mind obviously enjoys lists, and the well-deployed tricolonic title can constitute a powerfully compressed narrative that raises questions only answerable by consuming the cultural object in question.