September 28, 2012
My father is in Liberia, where there’s a civil war, and he’s writing about it for the newspapers. He loves me, he misses me, he’s sorry he and my mother are no longer together. He hopes I still read as much as I did.
September 27, 2012
by Keith Meatto
For all the merits of these books, the question remains: is this literary boomlet an anomaly, a coincidence, or a harbinger?
September 25, 2012
Let’s review: David Shields extracts Paul Elie’s quote from a larger narrative, changes the words, and purges any reference to the ideas’ original source: Walker Percy. Then Gideon Lewis-Kraus quotes Shields’s misquote of Elie, contradicts his misquote, and characterizes what he wrongly alleges Elie having written as a “shoddy lament.” But no citations; this is art.
September 24, 2012
A shady cabal of feminist writers conducted a week-long roundtable discussion of Naomi Wolf’s Vagina: A New Biography. The book was troubling, bewildering, and often infuriating. There was a prize for the writer who worked the most puns into her review.
September 21, 2012
What I love most about Gone Girl was the way Flynn made me think about how character and identity are constructed. She made me like and then dislike a character, dislike and then like another one, and then dislike the whole lot of them, the idea of identity dissolving and reappearing at every moment.
September 19, 2012
by Liam Hoare
Wherever they burn books, they also burn people in the end.
September 11, 2012
You can critique the critics. You can be a meta-Michiko. Use this knowledge wisely.
September 6, 2012
by Hope Mills
Agency employees have long been known to write stories and novels on the side. In fact, it used to be a kind of trend — at least in the middle of the 2oth century. Familiars like Joseph Heller (Catch-22), Salmon Rushdie (Midnight’s Children) and F. Scott Fitzgerald (Great Gatsby) worked at agencies and then wrote in their spare hours
August 30, 2012
When I find that a sentence I’m writing isn’t working, I don’t think about what I want that sentence to look like or to be; I don’t pull it from the page to weigh it in my hand; I don’t worry over its internal balance. I simply ask myself, ‘What do I need this sentence to do?’
August 27, 2012
It turns out that it was hard for me to find a good wedding reading because I’m a gloomy old bastard.