Post-40 Bloomers Archives - Page 4 of 6 - The Millions
May 13, 2013
In The Trajectory of Dreams, Wolverton has created one of the most haunting unreliable narrators I’ve ever come across. She is both deeply sympathetic and extremely dangerous.
April 8, 2013
by Amy Weldon
Consider this: Anna Sewell, spinster invalid, wrote one of the most influential and original books to come out of Victorian England.
March 11, 2013
by Robert Goree
After a miraculous plane landing, Michener wandered around in a tense stupor until he found himself back on the airstrip. What was he to do with the rest of his life? Did he really want to return to his job as an editor of textbooks? He silenced these questions by swearing an oath: “I’m going to live the rest of my life as if I were a great man.” He had no idea what he meant.
February 11, 2013
Tillie Olsen’s stories turned me into a fiction writer, as if they pointed to a door in what had looked like a blank wall — a door to which, as it turned out, I owned a key.
January 14, 2013
by Nicki Leone
Modern readers might be somewhat amused to learn that this bodice-ripper is regarded as one of the early examples of “realistic” fiction. Is there any plot less true to life than the lord of the manor marrying his serving girl? But Pamela’s realism has little to do with the plausibility of the story. It lies, instead, in the novel’s scope and language.
December 10, 2012
by Ed Porter
The title of Cain’s story collection is polymorphously suggestive, teasing the reader into attempted decodings in reaction to the individual stories. In its context in the title story, the phrase has to do with a character’s complicity in her own idealization, but the collection invites us to think about the title more expansively.
November 12, 2012
Pollock rockets the reader into a highly particular time and place. He never wastes our time circling about the airfield looking for a spot to touch down. We’re immediately there, in the thick of it. Pinned right where Pollock wants us.
September 28, 2012
by Sonya Chung
My time was always fairly equally divided between the horses and my writing, the difference being that the horses always came first, and the writing had to be fitted in around their needs and their schedules. But in my imagination, there was always a confluence of visions.
August 29, 2012
by Lisa Peet
There doesn’t always need to be a dramatic story to later-life publication — sometimes a writer may just be spending a couple of decades reading, writing, working, and living enough to know what it is he’s writing about. Often those intervening years are simply about showing up.
August 6, 2012
by Sonya Chung
There is much sadness, of the starkly honest and lonely variety, in Costello’s stories. She gets it so right – achingly right – how love and loss are indistinguishable.