We spend plenty of time here on The Millions telling all of you what we’ve been reading, but we are also quite interested in hearing about what you’ve been reading. By looking at our Amazon stats, we can see what books Millions readers have been buying, and we decided it would be fun to use those stats to find out what books have been most popular with our readers in recent months. Below you’ll find our Millions Top Ten list for March. This Month Last Month Title On List 1. 1. The Novel: A Biography 6 months 2. 2. Station Eleven 6 months 3. 3. My Brilliant Friend 4 months 4. 5. The Narrow Road to the Deep North 6 months 5. 7. The Strange Library 4 months 6. 6. The David Foster Wallace Reader 3 months 7. 9. Dept. of Speculation 4 months 8. 8. All the Light We Cannot See 5 months 9. 10. Loitering: New and Collected Essays 3 months 10. - The Buried Giant 1 month Well, folks, it's happened. The enduring success of David Mitchell's The Bone Clocks has pushed the author to a Millions echelon so high that it's never before been reached. That's right: Mitchell is now the only author in site history to reach our hallowed Hall of Fame for three (count 'em!) different works. And with The Bone Clocks joining his past works, Cloud Atlas and The Thousand Autumns of Jacob de Zoet, Mitchell's latest achievement puts him ahead of David Foster Wallace (Infinite Jest,The Pale King), Junot Díaz (The Brief Wondrous Life of Oscar Wao, This Is How You Lose Her), Stieg Larsson (The Girl with the Dragon Tattoo, The Girl Who Kicked the Hornet’s Nest), Hilary Mantel (Wolf Hall, Bring Up the Bodies), Jonathan Franzen (The Corrections, Freedom), George Saunders (Tenth of December, Fox 8), and Dave Eggers (Zeitoun, The Circle), each of whom authored two Hall of Fame titles. Maybe this repeated success will be enough to coax him into a Year in Reading 2015 appearance. (ARE YOU LISTENING, PUBLICISTS?) Joining this month's list thanks to The Bone Clocks's graduation is Kazuo Ishiguro's latest novel, The Buried Giant. It's a book "about war and memory," wrote Millions staffer Lydia Kiesling in her extremely personal review of the work for this site. "But it is also about love and memory, and you don’t need to have lived through an atrocity to get it." Lastly, I would be remiss if I didn't point out that our own Emily St. John Mandel's Station Eleven, which is poised to graduate to our Hall of Fame next month, was the recent winner of The Morning News's annual Tournament of Books. (It beat out Anthony Doerr's All the Light We Cannot See, which is also on our Top Ten.) The novel, which has earned the praise of George R. R. Martin, took the final match-up by a score of 15-2, which should be decisive enough to persuade all of you who haven't yet bought the book to do so immediately. Join us next month as we graduate three books and open the doors for three newcomers. Will they be among the "Near Misses" below, or will they be something new entirely? Near Misses: My Struggle: Book 1, To Rise Again at a Decent Hour, An Untamed State, The Paying Guests and The First Bad Man. See Also: Last month's list.
We spend plenty of time here on The Millions telling all of you what we’ve been reading, but we are also quite interested in hearing about what you’ve been reading. By looking at our Amazon stats, we can see what books Millions readers have been buying, and we decided it would be fun to use those stats to find out what books have been most popular with our readers in recent months. Below you’ll find our Millions Top Ten list for May. This Month Last Month Title On List 1. 1. The Beggar Maid: Stories of Flo and Rose 6 months 2. 2. Beautiful Ruins 3 months 3. 5. Bark: Stories 2 months 4. 3. The Son 2 months 5. 4. Just Kids 5 months 6. 8. Eleanor & Park 2 months 7. 6. Well-Read Women: Portraits of Fiction's Most Beloved Heroines 2 months 8. 9. The Good Lord Bird 2 months 9. - A Highly Unlikely Scenario, or a Neetsa Pizza Employee's Guide to Saving the World 1 month 10. 10. Jesus' Son: Stories 2 months In order to graduate to our Hall of Fame, books must remain on the Millions Top Ten for more than six months. The feat has only been accomplished by 82 books in the series's five year history. Within that subset of hallowed tomes, though, eight authors have attained an even higher marker of success: they've reached the Hall of Fame more than once. This accomplishment is remarkable for two reasons: 1) the Top Ten typically favors heavily marketed new releases, so it means that these eight authors have more than once produced blockbusters in the past few years; and 2) because Top Ten graduates must remain on our monthly lists for over half a year before ascending to the Hall of Fame, that means their books must be popular enough to have sustained success. (In other words, marketing only gets you far.) The names of these eight authors should be familiar to Millions readers, of course. They belong to some of the most successful writers of the past 25 years: David Foster Wallace* (Infinite Jest, The Pale King), Junot Díaz (The Brief Wondrous Life of Oscar Wao, This Is How You Lose Her), Stieg Larsson (The Girl with the Dragon Tattoo, The Girl Who Kicked the Hornet's Nest), David Mitchell (Cloud Atlas, The Thousand Autumns of Jacob De Zoet), Hilary Mantel (Wolf Hall, Bring Up the Bodies), Jonathan Franzen (The Corrections, Freedom), George Saunders (Tenth of December, Fox 8), and — as of this month — Dave Eggers (Zeitoun, The Circle). (*David Foster Wallace has the unique distinction, actually, of having two of his own books in our Hall of Fame in addition to a biography written about him.) Even money would seem to indicate that Alice Munro is poised to join this esteemed group next. Her Selected Stories graduated to the Hall of Fame shortly after her Nobel Prize was awarded in 2013, and her collection, The Beggar Maid, has been holding fast ever since. Meanwhile, the surprise re-emergence of Denis Johnson's Jesus' Son, which has been hovering at the bottom of the Top Ten lists these past two months, indicates that maybe he'll reach that group soon as well. His novella, Train Dreams, graduated in August of 2012. Changing gears a bit: the lone new addition to our Top Ten this month in the form of Rachel Cantor's mouthful of a novel, A Highly Unlikely Scenario, or a Neetsa Pizza Employee's Guide to Saving the World. The book, which was published last month, was featured in our Great 2014 Book Preview, during which time Millions staffer Hannah Gersen posed the eternal question, "It’s got time travel, medieval kabbalists, and yes, pizza. What more can you ask for?" What more, indeed? Near Misses: Little Failure: A Memoir, Americanah, Stories of Anton Chekhov, My Struggle: Book 1, and Tampa. See Also: Last month's list.
We spend plenty of time here on The Millions telling all of you what we’ve been reading, but we are also quite interested in hearing about what you’ve been reading. By looking at our Amazon stats, we can see what books Millions readers have been buying, and we decided it would be fun to use those stats to find out what books have been most popular with our readers in recent months. Below you’ll find our Millions Top Ten list for July. This Month Last Month Title On List 1. 1. Train Dreams 6 months 2. 8. A Naked Singularity 2 months 3. 2. Bring Up the Bodies 3 months 4. 3. How to Sharpen Pencils 4 months 5. 6. The Patrick Melrose Novels 2 months 6. 5. The Swerve: How the World Became Modern 4 months 7. 4. New American Haggadah 5 months 8. 7. Visual Storytelling: Inspiring a New Visual Language 4 months 9. 9. Binocular Vision 3 months 10. - A Hologram for the King 1 month Denis Johnson's Pulitzer finalist Train Dreams is our number one for a second month in a row, while A Naked Singularity by Sergio De La Pava (profiled by Garth Hallberg) leaps six spots to number two, putting it in good shape to be next month's number one when Train Dreams graduates to our Hall of Fame. Our lone debut, meanwhile, Is Dave Eggers' A Hologram for the King. Eggers is no stranger to our lists. Zeitoun was inducted into our Hall of Fame in 2010, while The Wild Things had a brief run in the Top Ten in late 2009. The Flame Alphabet by Ben Marcus drops off the list after a one-month stint. Other Near Misses: How Should a Person Be?: A Novel from Life, Leaving the Atocha Station, Gone Girl, and Broken Harbor. See Also: Last month's list.
It's a business-school truism that great leaders make for messy successions. Not only are their shoes hard to fill; no boss likes to contemplate his or her own obsolescence. (Think of Steve Jobs. Hell, think of King Lear.) And though its masthead is more likely to have graduated from Brown than from Wharton, the literary magazine is as subject as any other enterprise to the general principle. William Shawn's 35-year streak as editor-in-chief of The New Yorker, for example, yielded to the comparatively brief reigns of Robert Gottlieb and Tina Brown. Roger D. Hodge's tenure at Harper's, following the second long Lewis H. Lapham regime, lasted all of two years. Even amid such tough acts to follow, the case of George Plimpton stands out. As the longtime editor of The Paris Review, Plimpton did the traditional things imposingly well. He charted the magazine's direction. He developed features. He cultivated and supported good writing. But he also, through his journalistic talents and his presence on the social scene, expanded our idea of what an editor could be: founder, ringmaster, patron, host, impresario, fundraiser, cheerleader, public face, presiding spirit, and living embodiment of the brand. Though slender of frame, he cast a big shadow. Upon Plimpton's death in 2003, Brigid Hughes, then the managing editor, was tapped to lead the magazine. She was soon shown the door (a circumstance which led to the founding of A Public Space, with the help of a cadre of writers and donors loyal to Hughes) and the journalist Philip Gourevitch slotted into the role, somewhat against type. Gourevitch's Paris Review has been more consistently appealing than one might have expected it to be. (A great reporter does not always a great editor make.) But, given that Gourevitch has been more of a caretaker than a visionary, it was no great surprise to learn in November that he would be stepping down to focus on his own writing...leaving The Paris Review searching for its fourth editor-in-chief in seven years. The good news is that the pool of available talent is probably larger now than it has been in years. I'd happily read a Paris Review run by former Spy editor Kurt Andersen, who writes well, is interested in everything, and seems to have a Rolodex the size of a card catalog. Likewise Dan Menaker. In the wake of Hodge's departure from Harper's last month, his name has been thrown around as well. If I was on the search committee, I'd certainly be looking at Keith Gessen, who, though young, is something of a scholar of the little magazine. Or The Paris Review could again try to hire in-house. (Having had a piece edited by Meghan O'Rourke, who pulls double duty with Slate, I'd hire her for just about anything.) Finding the next Plimpton, however, is more than a matter of editorial acumen. The Plimptonian editor must be out in the world. She cuts a figure. She makes fireworks, and shoots them off, too. Tina Brown, now of The Daily Beast, and Vanity Fair's Graydon Carter have certainly learned a thing or two from Plimpton, but the only editor currently working in the world of little magazines who fulfills the polymathic model is Dave Eggers. And so, as absurd as it may sound prima facie, I'd like to propose that Eggers is the best candidate for editorship of The Paris Review. And, somewhat counterintuitively, that hiring him for the job might be as good for Eggers as for the magazine. Eggers is an entrepreneur of distinction, a gifted fund-raiser, a networker, a talent scout, a celebrity, a philanthropist, and an accomplished graphic designer. Moreover, he has a particular editorial capacity that's always in rare supply: the capacity for vision. At his first two magazines - Might and (especially) McSweeney's - Eggers helped to distill into literary form the sensibility of those who came of age after The End of History...and before history unceremoniously resumed. Whimsical, highly aestheticized, conspicuously casual, reverent of childhood and its signifiers, bound by the dialectic of irony and sincerity, the style of McSweeney's has become the style of post-post-Modernism. It is No One Belongs Here More Than You and Everything Here Is The Best Thing Ever, yes, but also American Apparel and Avenue Q, the films of Michel Gondry and the career of Michael Cera. It is vast swaths of Echo Park and the Bay Area and Brooklyn. The first obvious objection, then, to the marriage of Eggers and The Paris Review comes from Eggers' side of the aisle: he already has a magazine. But the truth is that McSweeney's (reportedly intended to have a forty-eight issue run, followed by a long hiatus) has, in its middle age, begun to run up against its built-in limitations. One need not slight the magazine itself (the recent "Panorama" issue, a loving tribute to the print newspaper and a manifesto on its behalf, reportedly sold out), or rehearse the whiplash speed at which subculture becomes mainstream, to feel that McSweeney's some time ago made the move from innovation to institution. The Paris Review, too, is an institution, but one with a broader mission and a broader potential audience - a place where readers of McSweeney's, readers of Newsweek, and readers of The New York Review of Books might meet and mingle en masse. And because its appeal is less bound up with youth, it might offer Eggers, now pushing 40, new and different challenges...even as McSweeney's continued under the able hands that one sort of imagines mostly run it now anyway. The second obstacle to the union is that Eggers, like Gourevitch, is a writer, and writing takes time away from editing. But here, too, Eggers, for all his successes, seems like a man in need of a jolt. His literary talent has always recalled for me David Foster Wallace's description of the tennis player's physique: hypertrophied in places and underdeveloped in others. This is true to some extent of all writers, but truer of Eggers than of, say his kind-of contemporary (and sometime collaborator) Zadie Smith. With impressive consistency, his books display visual acuity, inventive turns of phrase, and a fine ear for dialogue. Most importantly, they are full of compassion. But they also betray a countervailing tendency toward solipsism that the home crowd around McSweeney's has been unable or unwilling to call Eggers on, and that has held him back from being the novelist he seems to aspire to be. Which may be a way of suggesting that Eggers is still in his literary adolescence. This solipsism expresses itself as constraint. There is, on the surface, a kind of airless stylization of the prose, all those floating pronouns and studied flatnesses. More deeply, there is the constraint solipsism imposes on plot and drama - on the interaction of characters, and thus, on their development. Of Eggers' longer narrative works, three are more or less nonfiction, one is a rewrite of a children's book, and two (You Shall Know Our Velocity and Away We Go) are lashed to picaresque conceits that substitute vignette for scene and propulsion for plot. Most recently, these two forms of constraint - micro and macro - converged in the disappointing novelization, The Wild Things. Max goes to the island. Max does some stuff. Max does some other stuff. Then Max comes home. At no point in the book does Max, or his writer, feel the sense of discovery and possibility we saw in Spike Jonze's filmed sprint through the trees - or that marked the finest passages of A Heartbreaking Work of Staggering Genius. The oddity of this is that Eggers is profoundly interested in other people. His best book overall, to my mind, has been What is the What, based on the story of Sudanese refugee Valentino Achak Deng. (I have not read Zeitoun, which seems to follow a similar strategy in telling the story of a Hurricane Katrina survivor.) This reportorial interest in the wider world is one that The Paris Review could nourish, even as it exposed Eggers to an even wider audience - one that might be less satisfied with his tics, and more demanding of writing in proportion with his enormous gifts. Whether or not Eggers seriously considers throwing his hat into the ring, The Paris Review could certainly benefit from having an editor of his stature. The task that awaits Gourevitch's replacement may be more daunting than that which awaited him in 2005. In addition to hosting parties, raising funds, tending to the needs of writers, and serving as the public face of The Paris Review, the next editor will have to make the case to readers that, in this era of YouTube and the iPad, the bound literary quarterly is still worth their time and money. That's a mission Dave Eggers has already proven himself to be committed to. And The Paris Review, for nearly 60 years, has proven its commitment to the kind of great American writing I'd like to see more of from Eggers. Odds are these two commitments will be pursued on parallel tracks. But wouldn't it be great if they could meet?
We spend plenty of time here on The Millions telling all of you what we’ve been reading, but we are also quite interested in hearing about what you’ve been reading. By looking at our Amazon stats, we can see what books Millions readers have been buying, and we decided it would be fun to use those stats to find out what books have been most popular with our readers in recent months. Below you’ll find our Millions Top Ten list for January. This Month Last Month Title On List 1. 1. Cloud Atlas 5 months 2. 4. The Corrections 3 months 3. 3. Austerlitz 4 months 4. 2. The Interrogative Mood 2 months 5. 9. (tie) The Mystery Guest 2 months 6. 5. Let the Great World Spin 2 months 7. 8. The Death of Ivan Ilyich and Other Stories 2 months 8. - Stoner 1 month 9. 9. (tie) Asterios Polyp 5 months 10. - Wolf Hall 1 month January saw two more books graduate to The Millions Hall of Fame, The Girl with the Dragon Tattoo by Stieg Larsson and Zeitoun by Dave Eggers. Larsson's books have been the beneficiary of a surge of interest in the late Swedish writer's series of thrillers. Eggers' Zeitoun has won much praise for its nuanced look at one immigrant New Orleanian's Katrina story. New to the Top Ten list this month is Stoner, a book by John Williams from NYRB Classics. The novel was singled out for praise as part of our Year in Reading series by Millions contributors Patrick and Edan as well as by Conversational Reading's Scott Esposito. Also debuting is Booker Prize winner Wolf Hall by Hilary Mantel. The book was also named a finalist recently for a National Book Crtics Circle Award. See Also: Last month's list
We spend plenty of time here on The Millions telling all of you what we’ve been reading, but we are also quite interested in hearing about what you’ve been reading. By looking at our Amazon stats, we can see what books Millions readers have been buying, and we decided it would be fun to use those stats to find out what books have been most popular with our readers in recent months. Below you’ll find our Millions Top Ten list for December. This Month Last Month Title On List 1. 3. Cloud Atlas 4 months 2. - The Interrogative Mood 1 month 3. 7. Austerlitz 3 months 4. 5. (tie) The Corrections 2 months 5. - Let the Great World Spin 1 month 6. 4. The Girl with the Dragon Tattoo 6 months 7. 1. Zeitoun 6 months 8. - The Death of Ivan Ilyich and Other Stories 1 month 9. (tie) 7. (tie) Asterios Polyp 4 months 9. (tie) - The Mystery Guest 1 month December saw a flurry of activity as four books made their first appearances on the list. Padgett Powell's The Interrogative Mood, endorsed by both Jonathan Lethem and Rick Moody, caught readers' interest. Colum McCann's Let the Great World Spin has been building momentum since its National Book Award win. I also reviewed it here and last month, Reif Larsen wrote glowingly of the book. Our recent interview with superstar translators Richard Pevear and Larissa Volokhonsky clearly got readers interested in their latest effort, a Tolstoy collection. And David Shields' Year in Reading contribution, while eclectic, nonetheless drew readers' focus to Gregoire Bouillier's The Mystery Guest. Powered by continued interest in The Millions' Best of the Millennium series, where the book had a strong showing on both out panel list and our readers' list, David Mitchell's Cloud Atlas took over the top spot in the Top Ten. And finally, dropping from the list were Thomas Pynchon's Inherent Vice, The Skating Rink by Roberto Bolaño, The Year of the Flood by Margaret Atwood, and The Wild Things by Dave Eggers. See Also: Last month's list
I shouldn't be answering this question because my answer is the most boring answer in the world because the best book I read this year was 2666 by Roberto Bolaño. The second best is a book you probably never heard of, We Did Porn by Zak Smith. But it would be a lie to answer anything other than 2666 to this question. I know it's lame to name a book that's already received such accolades. Still, I wake up thinking about this book. It took me six months to read it. I put it down several times to read other books including Zeitoun, which is also one hell of a runner up, the best thing Dave Eggers has written, I think. One of the weird strengths of this book is that you can put it down and pick it up a month later and not miss a beat. But really, the part about the murders, is there anything like that in literature anywhere? And what about the part about Fate, where you have this page that struck me so hard I typed the whole damn thing out: What’s sacred to me? thought Fate. The vague pain I feel at the passing of my mother? An understanding of what can’t be fixed? Or the kind of pang in the stomach I feel when I look at this woman? And why do I feel a pang, if that’s what it is, when she looks at me and not when when her friend looks at me? Because her friend is nowhere near as beautiful, thought Fate. Which seems to suggest that what’s sacred to me is beauty, a pretty girl with perfect features. And what if all of a sudden the most beautiful actress in Hollywood appeared in the middle of this big, repulsive restaurant, would I still feel a pang each time my eyes surreptitiously met this girl’s or would the sudden appearance of a superior beauty, a beauty enhanced by recognition, relieve the pang, diminish her beauty to ordinary levels, the beauty of a slightly odd girl out to have a good time on a weekend night with three slightly peculiar men and a woman who basically seems like a hooker? thought Fate. Do I really know enough about Mexican hookers to be able to recognize them at a glance? Do I know anything about innocence or pain? Do I know anything about women? I like to watch videos, thought Fate. I also like to go to the movies. I like to sleep with women. Right now I don’t have a steady girlfriend, but I know what it’s like to have one. Do I see the sacred anywhere? All I register is practical experiences, thought Fate. An emptiness to be filled, a hunger to be satisfied, people to talk to so I can finish my article and get paid. And why do I think the men Rosa Amalfitano is out with are peculiar? What peculiar about them? And why am I so sure that if a Hollywood actress appeared all of a sudden Rosa Amalfitano’s beauty would fade? What if it didn’t? What if it sped up? And what if everything began to accelerate from the instant a Hollywood actress crossed the threshold of El Rey del Taco? I wish I could recommend an undiscovered gem, and I am when I say you should read We Did Porn. But 2666 is more than a book, it's an experience. And if that sounds cliche it's because it is, but I'm trapped there. More from A Year in Reading
We spend plenty of time here on The Millions telling all of you what we've been reading, but we are also quite interested in hearing about what you've been reading. By looking at our Amazon stats, we can see what books Millions readers have been buying, and we decided it would be fun to use those stats to find out what books have been most popular with our readers in recent months. Below you'll find our Millions Top Ten list for November. This Month Last Month Title On List 1. 2. Zeitoun 5 months 2. 1. Inherent Vice 4 months 3. 3. Cloud Atlas 3 months 4. 4. The Girl with the Dragon Tattoo 5 months 5. (tie) - The Corrections 1 month 5. (tie) 7. The Skating Rink 4 months 7. (tie) 5. Asterios Polyp 3 months 7. (tie) 10. Austerlitz 2 months 9. - The Year of the Flood 2 months 10. 6. The Wild Things 2 months Dave Eggers bookends our list as Zeitoun moves into the top spot and The Wild Things lands at number 10. Jonathan Franzen's 2001 novel The Corrections hits our list two months after a panel of writers, editors and critics assembled by The Millions named it the Best of the Millennium (So Far). The book joins Cloud Atlas and Austerlitz, which both figured prominently in the series as well. Margaret Atwood's The Year of the Flood has re-entered the list after falling off last month. And dropping from the list are Felonious Jazz by Bryan Gilmer and Imperial by William T. Vollmann. See Also: Last month’s list.
We spend plenty of time here on The Millions telling all of you what we've been reading, but we are also quite interested in hearing about what you've been reading. By looking at our Amazon stats, we can see what books Millions readers have been buying, and we decided it would be fun to use those stats to find out what books have been most popular with our readers in recent months. Below you'll find our Millions Top Ten list for October. This Month Last Month Title On List 1. 1. Inherent Vice 3 months 2. 2. Zeitoun 4 months 3. 7. Cloud Atlas 2 months 4. 3. The Girl with the Dragon Tattoo 4 months 5. 5. (tie) Asterios Polyp 2 months 6. - The Wild Things 1 month 7. 4. The Skating Rink 3 months 8. 10. (tie) Imperial 2 months 9. 5. (tie) Felonious Jazz 6 months 10. - Austerlitz 1 month Dave Eggers lands a second book on our Top Ten with his novelization of the Spike Jonze movie The Wild Things. (Eggers is having similar success on some other distinguished lists.) Here at The Millions, Wild Things was a Most Anticipated book and Emily recent revisited the beloved children's book that started it all. Also debuting is Austerlitz, the 2001 novel by W.G. Sebald. The book recently landed at #7 in our "Best of the Millennium" series. We didn't have any new Hall of Fame inductees this month, and falling off the Top Ten were The Year of the Flood by Margaret Atwood, The White Tiger by Aravind Adiga, Future Missionaries of America by Matthew Vollmer, and Netherland by Joseph O'Neill. And, finally, Inherent Vice and Zeitoun hold on to their top positions. See Also: Last month’s list.
We spend plenty of time here on The Millions telling all of you what we've been reading, but we are also quite interested in hearing about what you've been reading. By looking at our Amazon stats, we can see what books Millions readers have been buying, and we decided it would be fun to use those stats to find out what books have been most popular with our readers in recent months. Below you'll find our Millions Top Ten list for September. This Month Last Month Title On List 1. 1. Inherent Vice 2 months 2. 2. Zeitoun 3 months 3. 8. The Girl with the Dragon Tattoo 3 months 4. 6. (tie) The Skating Rink 2 months 5. (tie) - Asterios Polyp 1 month 5. (tie) 10. Felonious Jazz 5 months 7. - Cloud Atlas 1 month 8. - The Year of the Flood 1 month 9. - The White Tiger 1 month 10. (tie) - Future Missionaries of America 1 month 10. (tie) - Imperial 1 month 10. (tie) 9. Netherland 4 months Four inductees to The Millions Hall of Fame plus gridlock in the tenth spot on our list meant room for plenty of new titles on the list in September. Graduating to our Hall of Fame were four illustrious titles, Infinite Jest by David Foster Wallace, The Brief Wondrous Life of Oscar Wao by Junot Díaz, Matthew Diffee's The Rejection Collection: Cartoons You Never Saw, and Never Will See, in The New Yorker, and Carl Wilson's Celine Dion's Let's Talk About Love: A Journey to the End of Taste. The former two titles are good examples of our readers' taste in fiction (Wao in fact won our recent readers' poll of the best fiction of the decade). The latter two are niche titles that sparked an enduring interest in readers despite relatively minor mentions at The Millions. Newly appearing on the list are some recently published titles. Asterios Polyp, which we reviewed not long ago, Margaret Atwood's The Year of the Flood and William T. Vollmann's Imperial, which were both on our most recent Most Anticipated list, and Future Missionaries of America by Matthew Vollmer, who was an interviewer and an interviewee for us in June. Also debuting are Cloud Atlas, which emerged as a big favorite in our Best of the Millennium project, and The White Tiger. That one's a bit of a mystery because we haven't talked about it much, but it did, of course, win the Booker Prize a year ago. Finally, Inherent Vice and Zeitoun hold on to their positions, but there are still several new releases on tap for the fall, so they may be challenged soon for the top spots. See Also: Last month’s list.
We spend plenty of time here on The Millions telling all of you what we've been reading, but we are also quite interested in hearing about what you've been reading. By looking at our Amazon stats, we can see what books Millions readers have been buying, and we decided it would be fun to use those stats to find out what books have been most popular with our readers in recent months. Below you'll find our Millions Top Ten list for August. This Month Last Month Title On List 1. - Inherent Vice 1 month 2. 5. Zeitoun 2 months 3. 4. The Rejection Collection: Cartoons You Never Saw, and Never Will See, in The New Yorker 6 months 4. 2. Infinite Jest 6 months 5. 6. Celine Dion's Let's Talk About Love: A Journey to the End of Taste 6 months 6. (tie) 7. The Brief Wondrous Life of Oscar Wao 6 months 6. (tie) - The Skating Rink 1 month 8. 8. The Girl with the Dragon Tattoo 2 months 9. 10. Netherland 2 months 10. 9. Felonious Jazz 3 months Thomas Pynchon staged an impressive debut in August, hitting number one in The Millions Top Ten as Inherent Vice hit shelves. Garth, our resident Pynchon expert, shared his thoughts on the post-modern detective story just this week. Also debuting on our list in August is yet another title from Roberto Bolaño. Out of the gate, The Skating Rink is looking less like a footnote in Bolaño's prolific career and more like another Bolaño masterpiece, receiving impressive notices from the likes of Wyatt Mason in The New York Times (a "short, exquisite novel") and Scott Esposito in The Quarterly Conversation ("well worth your time"). The book was also on our most recent "Most Anticipated Books" list. Graduating to our Hall of Fame (after being on our list for 6+ months) are two books that have been surprise Millions favorites. Kitty Burns Florey's Sister Bernadette's Barking Dog: The Quirky History and Lost Art of Diagramming Sentences was the jumping off point for a grammar rodeo that Garth put on analyzing a snippet of a speech by President Obama. The upshot? A Venn diagram of Millions readers and grammar lovers would show quite a lot of overlap, I now suspect. Also newly honored in our Hall of Fame is prizewinner Olive Kitteridge by Elizabeth Strout, which inspired Edan to pen her much discussed "Mom Book" essay. Other notable action: Dave Eggers' Zeitoun, recently reviewed around here and generally getting outstanding notices, shot to the number two spot in its second month on the list. Next month should be quite interesting as we're poised to have four titles join the Hall of Fame, freeing up room for lots of newcomers. See Also: Last month’s list.
In July, a crowd gathered in the atrium outside of Garden St. Bookshop in New Orleans for an appearance by Dave Eggers. Four years after Hurricane Katrina flooded New Orleans and books and movies about Katrina started flooding the media, a new Katrina narrative may seem uncalled for, but this one is not. You may not expect a guy who had the audacity to write a memoir of his twenties and call it A Heartbreaking Work of Staggering Genius to be humble, but when he when he entered the room followed by a short, round-faced woman wearing a brown-swirled hijab and her husband, a handsome Syrian man, the humility Eggers exuded rang genuine. Eggers, addressing a room of around two hundred people, introduced Abdulrahman and Kathy Zeitoun. In his new book, Zeitoun, Eggers chronicles the experience of Abdulrahman, a Syrian immigrant, and his family as they face not only the worst natural disaster in American history but a justice system in which Abdulrahman becomes stranded, rendered helpless and stripped of his identity “as a neighbor, as a countryman, as a human”. Eggers, rather than reading, held a panel discussion with the couple. With the three of them sitting, Eggers realized, most people in the room would be unable to see them. So, for a good part of the time, the three of them stood. Eggers spoke for a moment before turning the talk over to Kathy, who addressed the room with warmth and confidence. One of the first things out of her mouth was a defense of Islam against “what you might see on TV. It’s a very peaceful religion.” Zeitoun (Zey-toon), as people call him because they can’t pronounce his first name, speaks English well, but Kathy did most of the talking as he stood with his hands clasped behind his back, casting his eyes between the floor, the listeners and his wife. As she spoke, Kathy and Zeitoun exchanged looks, and the love between them, the parents of five children, was visible. Kathy is from Baton Rouge. She converted to Islam when she was nineteen and searching for a religion. “I wanted to be Catholic,” she joked, “but it takes too long.” Kathy said that by converting to Islam, “you’re not changing your beliefs, just your religion. Through Islam, I found God.” While Kathy’s journey led her to Islam, Zeitoun’s led him to New Orleans, and where the two met they built their life as a couple committed to their family and working hard to raise their children and run a business: Zeitoun A. Painting Contractor, LLC. In their community, they were loved for their generosity and respected for their honesty and reliability. Like Eggers’ previous novel, What is the What, this third person narrative is an epic of survival and the challenges of the immigrant, illuminating the flaws of the American dream even as they are met with optimism and persistence. But Abdulrahman Zeitoun is not a stranger. He is a New Orleanian. His wife begs him to leave the city before, during and after Hurricane Katrina, but he insists on staying behind to help his neighbors, rescuing people trapped in their houses and feeding abandoned dogs. “This is my family, too,” he says. Zeitoun paddles his canoe around post-Katrina New Orleans, a world made new by flood, accompanied by memories of his childhood in Syria and invigorated by a sense of freedom and purpose. Zeitoun’s odyssey through his own city is paralleled by Kathy’s vigil over the family, not as Penelope in the family home but as a vagabond in a Honda Odyssey, roaming west in search of shelter while she waits for her husband to leave New Orleans. “The dissonance woke him.” This is the last line of Part I, as Zeitoun wakes to the sound of floodwaters rushing past his house from Lake Pontchartrain. In this story, the word dissonance looms large. Zeitoun, although not an outsider, retains the innocence of an immigrant expecting something different from this country. His home becomes strange and the behavior of others sometimes confounds him. “Why had he said he would come if he did not plan to come?... He had promised help and he had not kept that promise.” Bewilderment gives way to shock when he is arrested a house he owns and, incredibly, locked in a cell that is more like a cage, surrounded by men with guns and treated as not only a stranger but as an enemy. In a place that he recognizes but that is no longer his home, he is stripped, literally, and then figuratively, of his pride and his rights. Across the world in Istanbul, where I was living and teaching English when the storm hit New Orleans, my students expressed shock at the images they were seeing on television.” The dissonance woke them, too. They said to me “We can’t believe this is America.” In the atrium, I asked Zeitoun if his experience changed his perception of America. He replied that when he saw so many people left helpless by their government and when he sat in prison being treated worse than a criminal, not knowing why he was being held and denied contact with his family, “I said to myself, this is not America.” Speaking to the crowd in the atrium, Kathy recounted the ordeal in the weeks after the storm when she could not find her husband or any information about him, not knowing whether he was dead or alive. She laughed and gestured with animated hands and face as she conveyed the frustration of explaining to his panicked family in Syria and Spain that she did not know where he was. “It was like I had lost someone else’s pet.” Billy Sothern, a Louisiana attorney and anti-death penalty advocate, briefly explained the series of legal breakdowns, before and after the storm, that held Zeitoun in prison for weeks without a hearing, without charges and with no way to contact his wife and children. “Even after we knew where he was,” Kathy said, “he didn’t know we were looking for him. He thought we had just forgotten about him.” At this comment, Zeitoun cast a sheepish glance at his wife then hung his head for a moment. When outsiders write about New Orleans, we denizens often find ourselves cringing at things like “gumbo parties.” But New Orleans rendered by Eggers through Zeitoun’s eyes is the New Orleans we know. Zeitoun’s is not the view of an outsider. Through Zeitoun’s eyes, in scenes that alternate beauty and despair, Eggers portrays encounters and events that I recognize as the idiosyncrasies of my city--the kind of place where neighbors know each other, where a prostitute hitches a ride to work in a canoe in the middle of a flood, where people make a party on the roof in a city of apocalyptic destruction. There was one disappointment, however. Towards the end, Eggers gives a one-paragraph history of the state prison in Angola in which, among thousands of facts and stories, he picks a few that offer a narrow and demonized picture of a complex subject. Why was it necessary to point out that one of the crops grown at Angola was cotton? It wasn’t. Such facts, presented in isolation, play on social stereotypes and racial sensitivities to unnecessarily inflame and prejudice a reader. As a person who has actually been inside the gates of Angola (as a guest), I wish that Eggers had looked more deeply into the subject before coloring it with such a wide stroke of ignominy. Despite this misstep, this love story and adventure tale is a great read, rendered beautifully in simple prose with a pace that will keep you reading. Heartbreaking at times, the tale of Zeitoun leaves the reader with a hopeful view of a world in which people like the Zeitouns respond to its imperfections not with bitterness but with a desire and an effort to build a better one.
We spend plenty of time here on The Millions telling all of you what we've been reading, but we are also quite interested in hearing about what you've been reading. By looking at our Amazon stats, we can see what books Millions readers have been buying, and we decided it would be fun to use those stats to find out what books have been most popular with our readers in recent months. Below you'll find our Millions Top Ten list for July. This month we're also introducing our Hall of Fame. Any book that's been on our list for six months graduates to the Hall of Fame both to designate those books as all-time favorites of Millions readers and to make room for new books on our list. Our Hall of Fame begins with two inaugural inductees. This Month Last Month Title On List 1. 1. Sister Bernadette's Barking Dog: The Quirky History and Lost Art of Diagramming Sentences 6 months 2. 5. Infinite Jest 5 months 3. 3. Olive Kitteridge 6 months 4. 6. The Rejection Collection: Cartoons You Never Saw, and Never Will See, in The New Yorker 5 months 5. - Zeitoun 1 month 6. 4. Celine Dion's Let's Talk About Love: A Journey to the End of Taste 5 months 7. 7. The Brief Wondrous Life of Oscar Wao 5 months 8. - The Girl with the Dragon Tattoo 1 month 9. 10. (tie) Felonious Jazz 3 months 10. - Netherland 2 months Graduating from our list to our Hall of Fame are Roberto Bolaño's 2666 and Elaine Dundy's Dud Avocado, two very worthy books to inaugurate this new feature. Also disappearing from the list are Bolaño's The Savage Detectives and Donald Ray Pollock's Knockemstiff. Joining our list for the first time is Dave Eggers' new book Zeitoun, an immigrant's story in New Orleans in the aftermath of Katrina. The book was recently featured on our "Most Anticipated" list. Stieg Larsson's The Girl with the Dragon Tattoo is our other debut. The Swedish writer's series of posthumously published mysteries have gained quite a following in the States. The book's only appearance on The Millions was to kick off a Book Question piece about "closed-room mysteries." Millions readers, if you've read Larsson, let us know what you think. Meanwhile, Joseph O'Neill returns to our list after appearing on our initial top-ten list at the beginning of the year and then getting bumped off. Maybe President Obama's mention of the book a few months back is continuing to generate sales. See Also: Last month's list.
At the beginning of the year, we noted that "2009 may be a great year for books." With the publishing schedule for the remainder of the year filled out, calling 2009 a great year for readers is now a certainty. If anything, 2009 is backloaded, with new titles coming in the second half of the year from legends like Thomas Pynchon and Philip Roth and fan favorites like Lorrie Moore and Jonathan Lethem. A peek into 2010, meanwhile, reveals more literary excitement on tap, with new titles on the way from Jonathan Franzen, Joshua Ferris, and others. Below you'll find, in chronological order, the titles we're most looking forward to right now. (Special thanks to the illustrious members of The Millions Facebook group who let us know what they are looking forward to. Not everyone's suggestions made our list, but we appreciated hearing about all of them.)In July, Dave Eggers continues the trend he started with What is the What, working closely with his subject to produce a work with elements of memoir and non-fiction. In Zeitoun, the subject is Abdulrahman Zeitoun, "a prosperous Syrian-American and father of four," who lived in New Orleans and disappeared in the aftermath of Hurricane Katrina. A few weeks ago, The Rumpus ran a long interview with Eggers that touches on Zeitoun, among several other topics. Eggers first encountered Zeitoun when McSweeney's put out Voices from the Storm, an oral history of Katrina, and he told The Rumpus, "Their story intrigued me from the start, given that it's at the intersection of so many issues in recent American life: the debacle of the government response to Katrina, the struggles facing even the most successful immigrants, a judicial system in need of repair, the problem of wrongful conviction, the paranoia wrought by the War on Terror, widespread Islamophobia." (Scroll down to October for more "Anticipated" action from Eggers.)William T. Vollmann is known for his superhuman writing output, but his forthcoming book Imperial is a monster, even for him. Weighing in at 1,296 pages and carrying a list price of $55, this work of non-fiction is "an epic study," in the words of the publisher, of Imperial County, California along the U.S.-Mexico border. Ed offers quite a bit more discussion of the book. Don't miss the comments, where it's said that Vollmann has called the book "his Moby-Dick."August kicks off with what will no doubt be a peculiar literary event, the publication of Thomas Pynchon's Inherent Vice. It is a rare thing these days when a flurry of media attention centers on someone who has no interest in basking in it. And so, perhaps as Pynchon intends, the focus will be on the book. Inherent Vice promises to be odd. It's 416 pages, shorter than the typical Pynchon doorstop, and the publisher Penguin, in its catalog, notes that Pynchon is "working in an unaccustomed genre" this time around. "Genre" seems to be the buzzword here. The book sports neon cover art and follows a private eye (Doc Sportello). The book begins: "She came along the alley and up the back steps the way she always used to." Review copies are already out, and the early word is that the novel overlaps somewhat with and bears some similarities to Vineland.Inherent Vice shares a release date with a new book by Richard Russo, That Old Cape Magic, which Entertainment Weekly has already called "very beach-y." (Sadly, it appears to have come in last in their poll to determine the "Must book of the summer.") It sounds like fairly standard "suburban malaise" fare in which a mid-life crisis is endured over the course of the summer, the upside for the reader being that Russo is bringing his considerable skills to the table. PW is fairly tepid on the book, "Though Russo can write gorgeous sentences and some situations are amazingly rendered... the navel-gazing interior monologues that constitute much of the novel lack the punch of Russo's earlier work."Of Roberto Bolaño's forthcoming, newly translated novels, Millions contributor Lydia writes: "I almost never know about the hot, up-and-coming items, but I do happen to know about this one, and I feel that, like many readers, my relationship to Bolaño has been one of breathless anticipation since the moment I first heard his name. Which was like this: at my old job, I was going through the mail. There was a New Directions catalog of aforementioned hot, up-and-coming items. I haven't historically had a lot of interest in contemporary trade publications, but New Directions has a very warm spot in my heart because I associate it with The Berlin Stories. Anyway, in said mag I read a blurb about Nazi Literature in the Americas, and thought it sounded really neat, and then learned I would have to wait a year to read it, and since then it feels like there's been a lot of waiting - sometimes with glorious gratification at the end (2666), sometimes not (Nazi Literature in the Americas, ironically). It's thrilling that they keep coming! The Skating Rink in August, Monsieur Pain in 2010. It's like new the James Bond franchise (btw, I'm a Craig, not a Brosnan). I just love having something to look forward to. I hope I don't wet my pants on the way to the bookstore." (Bolaño fans will also be looking out for Melville House's Bolaño: The Last Interview And Other Conversations)Dan Chaon's Await Your Reply returns to the territory of separated siblings (You Remind Me of Me looked at a pair of long-lost brothers.) This time, the focus is on twins, one of whom has been missing for ten years. The book garnered a blurb from Jonathan Franzen, who will appear later in this list and who says of Chaon's book, "I've been waiting for somebody to write the essential identity-theft novel, and I'm very glad Dan Chaon's the one to have done it"Let's just get this out of the way: In September, you are going to hear a lot about Dan Brown's The Lost Symbol.More importantly, we'll get Richard Powers' follow up to his award-winning novel The Echo Maker. In Generosity: An Enhancement, Powers explores the idea of patenting the human gene for happiness. Last year, Powers wrote about the human genome for GQ. There's not a lot of info available about this one but Ed Champion writes he "foresee(s) some animosity from the vanilla critics hostile to idea-driven novels," and Sarah Weinman "tweeted," "Richard Powers' new novel Generosity is about as audacious as a novel gets, and has fucked with my head as a reader every which way."Lorrie Moore is set to deliver her first novel in over a decade, A Gate at the Stairs. All those Moore fans out there are faced with a huge dilemma this week. Do they read the "Childcare," the excerpt of the novel that is the fiction offering in this week's New Yorker, or do they avoid the magazine and hold out for two more months until the novel comes out? We've never been big fans of the New Yorker's packaging of novel excerpts as short stories, so to all the Moore fans out there, we say - avert your eyes when you reach page 70 of this week's issue!Kazuo Ishiguro's Nocturnes: Five Stories of Music and Nightfall is already out in much of the rest of the English-speaking world. In The Guardian, Christopher Taylor described the book as "a carefully arranged sequence of interlocking stories" and said, "while many of the stories hinge on artistic talent - the risks and unkindnesses associated with it; who's got it and who hasn't - the strong focus on more widespread problems in life makes Nocturnes more than a writer's thoughts on his job." The Complete Review rounds up the rest of the early reactions.Pete Dexter returns in September with Spooner. This one sounds like another dark, Southern tale not unlike Paris Trout, the book that first put Dexter on the fiction map. The first line of Spooner is "Spooner was born a few minutes previous to daybreak in the historic, honeysuckled little town of Milledgeville, Georgia, in a make-shift delivery room put together in the waiting area of the medical offices of Dr. Emil Wood."We'll also get a new novel from E.L. Doctorow about a pair of brothers. Homer & Langley is about Homer and Langley Collyer, two famous Manhattan hoarders and recluses, who, after gaining notoriety for their obsessive habits and reportedly booby-trapped home, were found dead in 1947 surrounded by, according to Wikipedia, "over 100 tons of rubbish that they had amassed over several decades." Newsweek has an excerpt of the book. The novel's first line is "I'm Homer, the blind brother. I didn't lose my sight all at once, it was like the movies, a slow fade-out."Dan Brown is no doubt getting serious bank for his return to airport bookshelves and grocery store check-out lines, but he's not the only one having a great recession. Audrey Niffenegger reportedly took home a $5 million advance for Her Fearful Symmetry, her follow-up to her very popular The Time Traveler's Wife. Niffenegger describes the book on her website: "The novel concerns a pair of mirror-image twins, Julia and Valentina Poole... Julia and Valentina are inseparable, and function almost as one being, although in temperament they are opposites."Acclaimed novelist Margaret Atwood will have a new novel out in September called The Year of the Flood, which has been described as "a journey to the end of the world." The Random House catalog, meanwhile, called it a "dystopic masterpiece and a testament to her visionary power." If that all isn't intriguing enough, it appears that the book is maybe (or maybe not) the second book in a trilogy that was kicked off with Oryx & Crake. Atwood and her publishers have offered mixed signals on the trilogy question. Quill & Quire looked into the question, and included a quote from Atwood saying, "It's not a sequel and it's not a prequel... It's a simultaneouel." Ah, one of those.In The Anthologist, Nicholson Baker covers well-trod literary ground by focusing on a writer protagonist. However, PW gave the book a starred review, calling it "lovely" and saying "Baker pulls off an original and touching story, demonstrating his remarkable writing ability while putting it under a microscope." Baker's protagonist is Paul Chowder, who is tasked with writing an introduction for a poet friend's anthology and delivers the book's stream of consciousness narration. By all early accounts the book is quite funny and also deeply immersed in poetry, with digressions on a number of history's great poets. The Simon & Schuster catalog calls the book a "beguiling love story about poetry."It's my feeling that John Irving's fiction has fallen off quite a bit in recent years (the last really good read for me was A Son of the Circus), but I still keep an eye on Irving's new novels for any sign that he has regained his early career mojo. His last several books haven't tempted me, and it's probably too early to tell whether the Last Night in Twisted River will. Reading the first sentence of the publisher's description, we already find a couple of Irving's authorial tics, New Hampshire and bears: "In 1954, in the cookhouse of a logging and sawmill settlement in northern New Hampshire, an anxious twelve-year-old boy mistakes the local constable's girlfriend for a bear." Don't be surprised if a wrestler figures into the action somewhere in there. Still, Irving has compared the new book to The Cider House Rules. That's a good sign.The venerable William Trevor will have a new novel out, Love and Summer.Millions reader Matthew looks forward to Laird Hunt's Ray of the Star, due in September, "because Laird's novels are fantastic." Of Kamby Bolongo Mean River by Robert Lopez, he writes "This is his sophomore novel; his first, Part of the World was bizarre and funny." He plans to read The Museum of Eterna's Novel by Macedonio Fernandez (arriving in 2010) "because Borges sez so."October is sure to bring Wild Things mania and Dave Eggers is going to be right in the middle of it. He worked with Spike Jonze on the film version of Where the Wild Things Are. And, in what is sure to be the most literary novelization of a film (adapted from a children's book) ever, an Eggers-penned version of Wild Things is set to hit shelves when the movie comes out. There's also the fur-covered edition.New Yorker readers have already gotten a taste of Jonathan Lethem's forthcoming book Chronic City. Of the excerpt, packaged as the story "Lostronaut," I wrote, "This story was pretty awesome. It was the only speculative fiction to land in The New Yorker this year, not quite making up for the absence of Murakami and Saunders from the magazine's pages. This story is told in the form of letters from Janice, a 'Lostronaut' aboard some sort of space station, to her 'Dearest Chase.' She and her fellow astronauts are trapped in orbit by Chinese space mines and that's not even the worst of it for poor Janice. While the premise and epistolary style are intriguing, Janice's unique, irrepressible voice really carries the story."Readers are soon set to see the fruits of an ambitious project by R. Crumb, his illustrated Book of Genesis, a surprisingly faithful rendering of the first book of The Bible done in Crumb's unique style. Crumb talked about the project four years ago with Robert Hughes: "I was fooling around with Adam and Eve one day. Doodling about Adam and Eve. At first I did this satirical take off on Adam and Eve - lots of jokey asides and Jewish slang because they're Jewish right? God is Jewish... Finally I got over fooling around and I realized I just had to tell it straight."Booker winner A.S. Byatt's The Children's Book, according to publisher Knopf's description, "spans the Victorian era through the World War I years, and centers around a famous children's book author and the passions, betrayals, and secrets that tear apart the people she loves." The book is out already in the UK, where a review in the Telegraph included this intriguing aside: "Byatt's publisher is keen to present The Children's Book, her first novel for seven years, as an equal to Possession, the work that secured her reputation and her mass-market appeal nearly 20 years ago. It certainly compares to its popular predecessor in its daring and scope and, unlike the more cerebral parts of Byatt's output, is its equivalent in terms of storytelling and readability."J.M. Coetzee's Summertime is a follow up to Boyhood and Youth in Coetzee's series of memoirs. The NYRB recently published an excerpt.Quite a lot of sub-par material has been published in order to satiate the ravenous demand for Hunter S. Thompson's writing. Thompson's essays for ESPN in his later years were uneven at best, but fans may find something to like in The Mutineer, which Simon & Schuster says is "The highly anticipated final volume of the previously unpublished letters of Hunter S. Thompson, king of Gonzo journalism and one of the greatest literary figures of our time." Insofar as HST,in his latter years, may have been more entertaining and lucid in his letters, this may put The Mutineer slightly above the low bar set by other recent HST collections. On the other hand, the book is edited by Johnny Depp, implying that the book is more about venerating the cult of HST than unearthing new work on par with his best efforts.November will bring the publication of Michael Lewis' much anticipated chronicle of the financial crisis, The Big Short. In October last year, when economic uncertainty was at its height and fears were voiced in some rarefied quarters about the possibility of some sort of structural collapse, we wrote, "The world needs an exhaustive look at what happened in 2008 and why." There have already been several books about the collapse and what caused it, from The Two Trillion Dollar Meltdown to The Return of Depression Economics and the Crisis of 2008, but many readers have been waiting for a book by Lewis, both because of his long history writing about Wall Street's excesses and because of the powerful essay he penned on the topic for Portfolio magazine in November. Some readers may be weary of the topic by the time the book comes out, but it's sure to garner some interest.The great Philip Roth keeps churning out new novels. This year's offering is The Humbling, Roth's 30th novel. The publisher copy says "Everything is over for Simon Axler, the protagonist of Philip Roth's startling new book. One of the leading American stage actors of his generation, now in his sixties, he has lost his magic, his talent, and his assurance." The NY Times reported that yet another Roth novel, Nemesis, is due in 2010.Jonathan Safran Foer will have a non-fiction book out in November called Eating Animals, which most are guessing focuses on vegetarianism. An interview with Foer at Penguin's UK website would seem to confirm this. It doesn't mention the book, but the introduction says "Jonathan Safran Foer on why he doesn't eat anything with parents."Millions reader Laurie points us to My Bird by Fariba Vafi, translated from Farsi and originally published in Iran in 2002. The publisher Syracuse University Press says: "The narrator, a housewife and young mother living in a low-income neighborhood in [modern] Tehran...[is] forced to raise [her] children alone and care for her ailing mother... One of the most acclaimed and best-selling contemporary Iranian writers." Laurie adds, "The novel won several literary awards in Iran and, according to a 2005 article in the New York Times, Vafi never attended college and writes when her children are in school."2010: Probably the most anticipated book of next year will be the The Pale King, a coda to David Foster Wallace's sadly shortened life as a writer. We already know a fair amount about the book - it will center on an IRS agent - and three excerpts have been published already, "Good People" and "Wiggle Room" in The New Yorker and "The Compliance Branch" (pdf) in Harper's. A piece by D.T. Max went into some detail about The Pale King following DFW's death. Given the amount work that lies ahead for DFW's editors, this may be a second half of 2010 release.Also possibly arriving in the second half of 2010 is Jonathan Franzen's Freedom, which we are just beginning to hear about. The book is the long-awaited follow-up to Franzen's loved, hated, celebrated, Oprah-snubbing novel of nearly a decade ago, The Corrections. Franzen has been coy about the title - the book is reportedly called Freedom - but readers got a taste of what Franzen has in store in "Good Neighbors," an excerpt that was published in the New Yorker a few weeks ago.Joshua Ferris will follow up his blockbuster debut Then We Came to the End with The Unnamed. The Book Case writes, "The novel focuses on Tim and Jane Farnsworth, a long-married couple who seem to have it all. But Tim has twice battled a bizarre, inexplicable illness." Beattie's Book Blog mentions that the illness is that he "can't stop walking."John McPhee has a new book due out called Silk Parachute. McPhee wrote a 1997 Shouts & Murmurs piece called "Silk Parachute" about his elderly mother. It begins "When your mother is ninety-nine years old, you have so many memories of her that they tend to overlap, intermingle, and blur."Time Out NY says Sam Lipsyte's The Ask is about "Milo, a New York father who is on the brink of economic ruin, and covers themes including but not limited to 'work, war, sex, class, race, child-rearing, romantic comedies, Benjamin Franklin, cooking shows on death row, the old-model brain, the commercialization of sadness and the eroticization of chicken wire.'"British publisher Faber says Rachel Cusk's The Bradshaw Variations "is a powerful novel about how our choices and our loves and the family life we build will always be an echo - a variation - of a theme played out in our own childhood."In the comments or on your own blogs, let us know what books you're looking forward to.