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by Gillian Flynn
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Flynn is especially good at creating damaged, dangerous women whose deeply imagined inner lives break your heart even as the characters create havoc in the lives of the people around them.
What I love most about Gone Girl was the way Flynn made me think about how character and identity are constructed. She made me like and then dislike a character, dislike and then like another one, and then dislike the whole lot of them, the idea of identity dissolving and reappearing at every moment.