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by Mark Kurlansky
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At their best, one-word titles distill content to its purest essence, which is what all titles strive to do, and then they stick in the mind. Sometimes, of course, they fall flat, and much of the time they're just lukewarm and vague or, worse, falsely grand.
The story of hapless CIA functionary Ray Finch's midlife unraveling in Botswana is uproarious and deadly serious, ruminative and suspenseful, psychological and philosophical. Think Graham Greene as written by Saul Bellow. Or Thomas Mann as written by Jonathan Franzen.