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by Amor Towles
Here’s what I learned, after a month of talking to editors, literary agents, publishers, and other authors: A paperback isn’t just a cheaper version of the book anymore. It’s a makeover. A facelift. And for some, a second shot.
It’s reminiscent of Fitzgerald or Waugh, in that “what gay parties we all had in those days, until our inner demons simply couldn’t be repressed any longer” vein.