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by Paul Elie
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Let's review: David Shields extracts Paul Elie's quote from a larger narrative, changes the words, and purges any reference to the ideas' original source: Walker Percy. Then Gideon Lewis-Kraus quotes Shields's misquote of Elie, contradicts his misquote, and characterizes what he wrongly alleges Elie having written as a “shoddy lament.” But no citations; this is art.
The fact that there is so much of Bach’s music, and so many recordings, means that you know from the start that you are never going to hear it all, even if you live to be 100. There’s always going to be a freshly rearranged cantata, or another new recording. So as a writer you know you have to cover all the important works and let other pieces fill themselves in.