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by Gene Simmons
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Rock-and-roll memoirs are among the most persistently disappointing literary subgenre. Genius that relies on fleeting inspiration, gut feeling, and unthinking improvisation is ill suited to the slow, reflective process of writing. It takes an outsider to get inside.
The stories in this collection often dwell on the distance between letter-writers and those who receive them, and that much of the correspondence isn’t received by its addressee seems somewhat beside the point. What matters is the letter-writing itself, that which gives sanction to the pen-holder’s yearning. The mail is official, it’s real.