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by Willa Cather
In the writing of Willa Cather, John Edgar Wideman, Michael Chabon, Stewart O’Nan, and Ellen Litman we see a fuller expression of the raw energy of Pittsburgh than one does in the simple platitudes of official civic boosters.
Good fiction can be a form of good works. As a Catholic, I recognize that life is a story of continuous revision, of failure and unexpected grace, and of dogged hope. I am comfortable with the white space of ambiguity and mystery. I have faith, not certainty.
Cather was one of nature's miracles, possessed from an early age of an unaccountable conviction that she was meant for something. Yes, she was female, and she lived in Nebraska. The world of letters was a long way away in every sense. Cather could not have been unaware of these facts. But as Joan Acocella puts it, Cather simply opened the door to artistic freedom and walked through it.