Articles by Sonya Chung
September 29, 2011
“I suppose I qualify as a late bloomer but I don’t feel like one. The term has connotations of stagnation, finally followed by some kind of transformation. I’d probably prefer to equate myself to a fine wine or good cheese, something that takes time, passion, and dedication to mature perfectly.”
September 26, 2011
I myself am hesitant to use the word “late” (or “older,” for that matter) in reference to writers over 40. Late relative to what and according to whose definition of early or on-time?
September 7, 2011
Let me just say, with as much un-dotty enthusiasm as I can muster, that I am, like, way super excited about the histo-fi seminar I’m teaching this fall, “(Re)Imagining Lives.”
August 23, 2011
Checkerboard Films has produced a new documentary film on James Salter, “James Salter: A Sport and a Pastime.” You can see Nick Antosca and myself, waxing admiringly, as the “young literary voices” who’ve been influenced by Salter.
August 22, 2011
At the risk of stating the obvious: isn’t it strange, I mean, this thing about being a human being breathing and thinking and sensing and dwelling always, always, in a place?
July 27, 2011
Whereas previous generations of accomplished writers were awash in alcoholism and cigarettes, sexual-romantic openness, spiritual misery, and financial ruin, today’s young writers are more likely to faithfully drink 8-10 glasses of water daily, be married, get 7 to 8 hours of sleep each night, and have a decent credit score.
July 14, 2011
The new film by master indie director John Sayles, Amigo, will premiere in New York on August 10th as the opening night presentation of the Asian American International Film Festival. Tickets just went on sale here; Sayles will be appearing in-person for a Q&A. “Amigo” is Sayles’s 17th feature film and a kind of historical companion piece […]
June 29, 2011
“[T]he characters and story are very very far from my life. I think [Red Hook Road] is the best thing I’ve ever written, which, when you think about it, is pretty telling. Perhaps we should all be grateful that I’m now writing a TV pilot about magicians and con men who spy for the British in World War II.”
June 21, 2011
The blurby back-cover declarations struck me as so off-pitch, that they in fact helped me to clarify for myself just what I think The Easter Parade is, and isn’t.
April 15, 2011
What has surprised – and in a way instructed – me most is how effectively FNL employs what is essentially formulaic drama; that is, how aware we are of being immersed in a constructed moral universe, and yet how little the drama’s predictability compromises either one’s engagement or the show’s objective artfulness and excellence.