Articles by Paul Morton
May 8, 2013
Sean Howe covers the entire history of Marvel, from 1939 to Disney’s acquisition of the company 70 years later. The book has few heroes and villains, only figures who, with varying degrees of success and failure, negotiate the politics of a large enterprise for their own wants and needs. It’s a portrait of what capitalism can create and what it can’t create — and what it can destroy.
January 31, 2013
I think to admit despair and to revel in it — as many 20th- and 21st-century writers do — is an easy way out.
November 15, 2012
If Miller’s book is an argument for dignity and acceptance, it is also an argument against politeness. It is an argument against letting stray homophobic remarks from your liberal friends just go in the interest of keeping the evening pleasant. It is an argument against letting someone change the topic of conversation when they tell you they feel uncomfortable about gay marriage. It’s an argument for demanding the part of the territory to which you are entitled.
October 22, 2012
Depression fucking sucks, dude. Depression sucks. And part of you thinks, “Well if I have to deal with being fucking depressed, I’ll figure out some way to make some art out of it.”
October 11, 2012
She made me talk about why I felt I could never make anyone care about these people the way I cared about them. She made me realize I just had to keep on doing my reporting. Obviously, it was late for those children, but if I could investigate and document a little better, maybe some attention would be paid.
September 14, 2012
Every time you draw something, much like acting, you have to get into the role on some level of what that person is thinking or feeling. It’s easier to draw a sadist. The more difficult thing is to draw ordinary people doing atrocious things.