Articles by Nick Ripatrazone
October 23, 2014
Butler’s central trope has always been the idea of homes, our private Americas. But Butler’s house has many rooms. 300,000,000 is a new testament; what happens when prose becomes prophecy.
September 29, 2014
Michael Robbins is our contemporary poet laureate for beautiful sins of language.
September 11, 2014
Between the many bullets and arrows, Giraldi is also building an examination of evil. This is a new Catholic fiction, one forged in the smithies of writers who reject belief but retain reverence for religious language.
August 25, 2014
Fishing, like writing, is a stab at permanence in a world of waiting.
August 20, 2014
This is the inside joke of creative writing programs in America. We know creative writing doesn’t make money, and yet we continue to graduate talented writers with no business acumen. At best, it is misguided. At worst, it is fraudulent.
July 29, 2014
Appalachian literature plays an elegaic refrain. It is a literature of dislocation and transition and survival.
July 18, 2014
Novels have hurt me. Stories have punctured my skeptical skin. Essays have made me rethink the world. But a melancholic poem shatters me.
June 30, 2014
The sheer originality of Flannery O’Connor’s stories shows students how amplifying their surrounding world can make great fiction. Now, 50 years after her death, when she is a staple of syllabi and the very canon that previously excluded her and other women, it is most important to stress fresh approaches to her work within the classroom.
May 27, 2014
You need to love words. You don’t need to love a certain type of book or a particular writer, but you need to love letters and phrases and the possibilities of language. You will spend most of your days dealing with words, and students can sense if words do not bring you joy.
May 14, 2014
If sentimentality is a sin, it is only because feeling can be so beautiful. One moment of sentiment in literature is worth a thousand failures.