Articles by Michael Bourne
November 28, 2012
Mock all you want, but for the moment, if you want to write literary fiction or poetry, Brooklyn is still the place to be.
October 29, 2012
Thanks in large part to the drug war, more than 2 million people, disproportionate numbers of them black and Hispanic, are locked up in America’s prisons, giving us an incarceration rate of 750 per 100,000 people, higher than in Russia, China or Iran.
September 25, 2012
Yunior is not a bad guy, but he is growing up, and as Diaz is honest enough to admit in this collection, getting older isn’t necessarily all mellowing out and seeing the error in your youthful ways.
September 12, 2012
Until the final pages, when the meshugas that is the plot of Chabon’s novel finally falls of its own weight, Telegraph Avenue is a sparkling, mesmerizing read.
August 30, 2012
The Bread Loaf Writers’ Conference, the oldest and most prestigious of its kind in the country, is a curious mix of summer camp, trade convention, and religious retreat.
August 15, 2012
If it sounds like I’m saying, “It’s all about who you know,” that’s because that is exactly what I’m saying. You can rail about how unfair that is, and how it makes publishing into an incestuous little club, and to a degree you would be right. But that’s the way the machine is built, people.
August 3, 2012
My piece in memory of novelist and rapier-tongued pundit Gore Vidal, who died Tuesday, appears on Prospero, the online arts & culture publication of The Economist.
July 25, 2012
Would you want to read a war novel called Love Is One Fervent Fire? Or Death Once Dead? Or, God forbid, One Event Happeneth to Them All? Evidently, Hemingway considered all these and many more even worse ones before making a note to himself, “Shitty titles,” and going with A Farewell to Arms.
June 29, 2012
The High Line is the distressed skinny jeans of public parks, the gourmet taco truck of urban tourist attractions.
June 21, 2012
Prospero, the new arts and culture blog of The Economist, has just posted my piece on literary Brooklyn, which explains how New York’s trendiest borough has become a vertically integrated factory for the production of fiction and poetry.