Articles by Matt Seidel
September 26, 2014
Chronicling a fatigued writer’s efforts to reinvent himself as a copyist, a profession which he himself admits doesn’t properly exist, Mr. Gwyn and Three Times at Dawn are the portrait and self-portrait, respectively, of a linguistic portraitist.
September 25, 2014
Beneath the laughs, of which there are many, The Trip to Italy is an anxious comedy supremely anxious about comedy itself.
August 19, 2014
Close reading produces knowledge, and knowledge can be painful.
August 8, 2014
No one is tougher on a Beckett character than Beckett, and perhaps no character receives as much abuse as the first major one, Belacqua Shuah.
July 23, 2014
How would fictional professors, heroes of those quaint works known as campus novels, fare in the world of online education?
July 10, 2014
In honor of the Tour de France, taking to the couch with Tim Krabbé’s sports classic.
June 18, 2014
While the following three piano-themed books — Alan Rusbridger’s Play it Again, Thomas Bernhard’s The Loser, and Murray Bail’s extraordinary The Voyage — are all inexplicably devoid of sniper rifles, they do present slightly more nuanced takes on perfection and its discontents.
May 21, 2014
“Who would not sing for Lycidas?” asks Milton in his famous elegy. And who, indeed, would not sing for the Novel, which has once again been declared dead?
May 20, 2014
“But do you think it’s a good way of training oneself — inventing imaginary news?” “None better.”
May 9, 2014
While professional duty compels me to deliver judgment on the work at hand, I cannot in good conscience reveal the title, author or any identifying details about its plot for fear that some perverse soul might be tempted to go out and buy it.