Articles by Henriette Lazaridis Power
September 12, 2013
Can an identity that expresses itself in two separate ways — through two languages and in two cultures — be said to be authentic? If your identity flickers between Greek and American, what exactly is your identity, and how do you designate it?
August 3, 2012
When I saw Love, Here is My Hat, I needed to buy it again because Saroyan appeals to my heart and not my literary head. I bought it because Saroyan signals the pull of something or someplace absent; because the stories collected there are about people trying to make do, to make simple lives of love and happiness; and most of all because the book and that title I’ve never quite understood represent an offer. “Here is my hat.” Perhaps it’s a gesture of surrender, or of begging.
January 9, 2012
At their best, acknowledgements can be finely-wrought short stories with the author as protagonist. At least one acknowledgements has made me cry.
June 16, 2011
We brought the world of Ulysses to, say, the Tivoli, or the Grand Canal, or the Art Museum and the Rocky statue.
February 3, 2011
When I was a child traveling to my family’s ancestral home in Northern Greece, we would always come to a point in the road where the left went north to Albania and the right went northeast into the Pindus mountains.
June 22, 2010
What seems key about the novel is that what we think of as a historical evolution—or a descent from a unified to a fragmented perspective—isn’t an evolution at all. In fact, the novel has always been insecure. It’s just that the manifestation of its insecurity has changed over time.