Articles by Hannah Gersen
May 20, 2015
Gibson understands that a conversation about gentrification can be an opening to talk about everything from the nuts and bolts of tenant law, to the habits of graffiti artists, to the legacy of Jane Jacobs, to the future of the DiBlasio administration, to the popularity of Project Runway, to the basic human question of how to get along with other people.
April 27, 2015
The question shouldn’t be whether or not getting an M.F.A. is a worthwhile for those privileged enough to agonize over the cost. Instead we should ask: how can we better support people who want to write?
April 8, 2015
Several months ago, The New York Times published an article about a 36-question interview devised to make strangers fall in love. The questions presented here are designed with a more modest goal: to have an interesting conversation about books.
February 26, 2015
Irritable Hearts is a memory of recovery, a thoughtful and well-researched record of one woman’s experience with a subtle and often terrifying condition.
February 12, 2015
I got curious about the other visual aids that novelists create to manage their books, so I asked around and gathered a variety of notebook pages, diagrams, and timelines.
December 14, 2014
I’m aware that this post is exactly the kind of writing I tried all year to avoid: Here I am, piling onto another writer’s already excellent criticism and observations. Please relish my hypocrisies.
December 1, 2014
For the past few years, The Millions has offered a holiday gift list for writers. This year we’d like to give readers their due, with a list of bookish treats. Because where would writers be without readers? Also, let’s face it: discriminating and avid readers can be as difficult to shop for as cranky writers.
November 28, 2014
In its own, understated, comic way, The Unspeakable is a very ambitious book, one that attempts to chart a personal evolution, while at the same time acknowledging that the idea of personal growth is at best absurd.
November 12, 2014
What I admired most about these essays is the way each one takes its own shape, never conforming to an expected narrative or feeling the need to answer all the questions housed within. D’Ambrosio allows his essays their ambivalence.
October 20, 2014
I watched Friday Night Lights in real time, as it aired. I wonder if it would have been as much of an influence if I had “binged-watched” all five seasons back-to-back in one or two months’ time. Instead, the show stretched out over the course of five years, 2006-2011, which for me were years when I had to throw out most of the fiction I wrote.