Articles by Garth Risk Hallberg
January 20, 2012
The current PBS Masterpiece series mashes the “class” buttons hard, in both the literary and the economic senses. But its relationship with the English novel is more complicated than it might appear.
January 13, 2012
My essay on Zadie Foster Franzenides and the current state of literary aesthetics is in this weekend’s New York Times Magazine.
December 18, 2011
Behold: a museum of my failures, an atlas of incompletion, a tour of the ruins of a future that never came. I call it “Reviews I Did Not Write This Year.”
November 11, 2011
A couple dozen leading literary magazine editors recently found themselves debating “submission fees” in a long, heated, and candid listserv discussion. The complete transcript – names have been changed to protect the innocent – is alternately depressing and heartening. It’s a must-read for anyone who publishes in little magazines, or plans to, or is just […]
November 3, 2011
The new book Robert Musil and the NonModern offers David Winters a chance to revisit The Man Without Qualities. (While you’re at it, check out the essay on literary theory Winters wrote for us in September…and Matthew Gallaway‘s piece on Musil from January.)
October 25, 2011
Henrik Pontoppidan, the Danish novelist, won the 1917 Nobel Prize for literature. His masterpiece, Lucky Per, has never been available in English. Now – lucky for us – it is. Frederic Jameson reviews it for The London Review of Books.
October 25, 2011
Shout it from the rooftops, people! Helen DeWitt is back!
October 21, 2011
We all revere Emily Dickinson‘s poems, but who knew she was also a great baker? Spend your weekend rereading the Dickinson oeuvre, and then top it off by attempting her coconut cake recipe.
October 5, 2011
Did you know Jonathan Lethem‘s a really good essayist? Thought so. Did you know he has a 450-page collection, The Ecstasy of Influence, coming out in November? Me neither. An amuse-bouche, on Norman Mailer, is up at the L.A. Review of Books.
October 4, 2011
Geoff Dyer, lately everybody’s favorite literary critic, reviews The Stranger’s Child, and tells us why Alan Hollinghurst, “the gay novelist, might also be the best straight novelist that Britain has to offer.” Hear, hear!