Articles by Frank Kovarik
June 14, 2011
When do we, as writers, accept that a piece is as good as it will ever be, even if it’s not that great? When do we decide that a piece will never be good enough to be published?
February 4, 2011
In the era of O Brother, Where Art Thou? and Cold Mountain, it is puzzling that more attention has not been paid to the extensive parallels to The Odyssey in Toni Morrison’s Beloved.
January 4, 2011
Several years ago I started cataloging the fiction published in The New Yorker in a spreadsheet. The spreadsheet began merely as a way to keep track of what I’d read, but I soon became curious about what the spreadsheet’s data-sorting capabilities could reveal.
November 11, 2010
What teacher has not felt this pain—the pain of the audible yawn from the kid in the back row just as you launch into the lesson you worked on for an hour and a half—or worse, the lesson you spent only ten minutes preparing and are now feeling vulnerable about?
October 6, 2010
Inertia kept the long line of Hardy adventures on the top level of my bookshelf until I finally packed them all in a box and packed the box down in the basement, exhumed only when I decided to eulogize the brothers here.
June 7, 2010
The rewards of fiction can be greater than that of nonfiction—the ecstatic feeling of transport when you’re pulled into the world of a story, given a new window into human experience—but you can also come away from a story angry that the writer has just wasted 45 minutes of your life.