Articles by Emily St. John Mandel
October 15, 2012
Once again Cronin has superbly handled the difficult task of writing a character-driven adventure story. The vampires remain terrifying, but they’re arguably less terrifying than the humans who have decided to collaborate with them in order to survive.
October 4, 2012
What matters is good writing, what matters is that there are people who love books enough to press them into your hands in far-off cities. We are here for the books, but I think it’s easy to get distracted by our longing for success and forget this.
September 6, 2012
Gill’s stories are fascinating, but she is possessed of that rarest of attributes among memoirists: an understanding of her own story as only a part of a broader picture, a willingness to broaden the focus beyond the particulars of her personal experience.
September 4, 2012
“Do you believe,” the journalist asked, “or fear, that the world is a mirage, or a hoax?”
August 21, 2012
Is he alive, or is he dead? There are moments in this very funny, very ghoulish novella when he seems definitely one or the other; other moments when he might somehow be both. He’s roughly the fictional equivalent of Schrödinger’s cat.
July 31, 2012
Do the ones who save us owe us anything? The Bellarosa Connection is fascinating as a study of memory and regret.
June 26, 2012
Jeet Thayil’s debut novel is an unsettling portrait of a seething city, a beautifully-written meditation on addiction, sex, friendship, dreams, and murder.
June 21, 2012
Simon Brenner is an ex-detective, a man in middle age who has decided after trying out more than fifty professions that he was born to be a chauffeur. Although actually, “chauffeur” doesn’t seem exactly the right word for his current employment: he’s almost, when you come right down to it, a sort of Autobahn-based nanny.
May 10, 2012
H.H. Munro wrote a great many light and often very funny send-ups of the stifling conventions and manners of the Edwardian age. But on the other hand, three of the first eight stories in the book involve corpses, with two of these being small children eaten by wild animals.
April 27, 2012
Hudgens doesn’t shy away from the brutality of life on earth — the illness, the decreptitude, the humiliations and the teen suicides — but the grittiness is never gratuitous, and his stories are infused with compassion and humanity.