Nick Harkaway’s Angelmaker

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Harkaway manages to write surrealist adventure novels that feel both urgent and relevant. His novels are fun to read without seeming particularly frivolous, and beneath all the derring-do and shenanigans, there’s a low thrum of anxiety: everything and everyone you love could disappear at any moment. There is nothing that you cannot lose.
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Arrested Development: Leigh Stein’s The Fallback Plan

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I’ve been thinking lately about adulthood. When it begins, what expectations we might reasonably have of those just entering through its gates, and how we represent it in our fiction.
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Dark Pensées: Fraser Nixon’s The Man Who Killed

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Nixon’s delight in the language is evident. Period language aside, he perfectly captures the linguistic chaos that exists in Montreal to this day, the crazy mashups of English and French and the ever-present tension between the two solitudes.
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Year in Reading: Emily St. John Mandel

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There’s a body in the first chapter, but the real story here isn’t the crime; it’s the extent to which we’re willing to lie to ourselves, to ignore the obvious, in pursuit of happiness or companionship or love.
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Naples and The Gallery

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John Horne Burns’ The Gallery was his first book, a chronicle of the chaos and beauty and horror of occupied Naples in 1943 and 1944. It’s an interesting hybrid: a novel, or perhaps it’s better described as a short story collection in which the stories, all touching in some way upon a bombed-out arcade called the Galleria Umberto, alternate with an elegant travelogue. The travelogue appears to be the author’s memoir: "I remember that at Casablanca it dawned on me that maybe I’d come overseas to die."
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Staff Pick: Steve Erickson’s Zeroville

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Zeroville is a work of surpassing strangeness and beauty. Vikar is possesed by movies, and he’s come to the promised land. He has a tattoo of Elizabeth Taylor and Montgomery Clift on his shaved head, a red tear drop inked below an eye.
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Very Bad Things: A Pessimistic Reading List

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Troubling works of fiction for troubled times.
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Staff Pick: Kenneth Fearing’s The Big Clock

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In Kenneth Fearing's 1946 noir novel, a Manhattan writer is given the unenviable task of tracking himself down.
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Irène Némirovsky, Suite Française, and The Mirador

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Notes on the French novelist Irène Némirovsky, her "violent masterpiece" Suite Française, and the imaginary memoir written by her daughter.
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Staff Pick: Daniele Mastrogiacomo’s Days of Fear

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In the spring of 2007, the Italian journalist Daniele Mastrogiacomo arrived in Afghanistan. He was there to conduct an interview with a Taliban commander, but the promised interview was a trap.
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A Surrealist’s Guide: Christopher Boucher’s How To Keep Your Volkswagen Alive

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Christopher Boucher’s strange and dazzling debut novel concerns a young man whose girlfriend gives birth to a 1971 Volkswagen Beetle.
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The Second Life of Irmgard Keun

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The German novelist Irmgard Keun's life was the stuff of fiction: she was a best-selling debut novelist at twenty-six, published a second bestseller a year later, was blacklisted by the Nazi regime and in exile by the spring of 1936. She was possessed of a spectacular talent. She managed to convey the political horrors she lived through with the lightest possible touch, even flashes of humor.
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The Beauty I Long For: Maira Kalman and the Principles of Uncertainty

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Her books are quirky, deeply moving, and beautiful documents of life on earth. She considers Spinoza, George Washington, fruit platters, her dog, the nature of war. If this sounds incoherent, it isn’t. “I am trying to figure out two very simple things,” she said once at a TED conference. “How to live, and how to die. Period. That's all I'm trying to do, all day long.”
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Under Water: Johanna Skibsrud’s The Sentimentalists

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The story that surrounds Johanna Skibsrud’s first novel is captivating. The Sentimentalists, published by Canada’s tiny Gaspereau Press in an initial print run of 800, was the surprise winner of the 2010 Scotiabank Giller Prize. It delights me to see a book from a small press getting so much attention. And yet hype, of course, is a double-edged sword. Too much of it puts an unfair weight on any novel, particularly a quiet and poetically-written debut.
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Migrations: A Reading List

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Migration in its various forms is at the heart of a great many of my favorite plots in fiction. But beyond that it seems to me that migration, as an idea of motion, is inextricable from good fiction. Your characters must change—they must move, psychically at least, from point A to point B—and the plot must move forward.
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A Guest in the Night City

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If the night city is a territory, Nightshift NYC stands as an essential guide.
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Staff Pick: Two Crime Novels

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The most recent books I’ve read in the genre confirm my long-held suspicion that attempting to categorize books by genre does readers a disservice; these books are no less literary than any of the other great books I’ve read this year, they just have crimes and/or guns in them.
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Heartland of Darkness: Timothy Schaffert’s Midwestern Trilogy

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It seems to me that we could be almost anywhere, in any place far off the beaten track. Schaffert's Bonnevilla is so sketchily rendered that it’s easy to project the places you’ve known over it.
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