Articles by Claire Cameron

October 11, 2016

Perfectly Delectable: Marcy Dermansky’s ‘The Red Car’ 0

If a story of a woman going west to find herself doesn’t sound original, it’s Dermansky’s delivery that makes this short novel perfectly delectable.

September 30, 2016

Fates and Furies on Twitter 3

What if Lotto and Mathilde were both to tweet?

June 24, 2016

A Summer Reading List for Wretched Assholes Who Prefer to Wallow in Someone Else’s Misery 15

The plot should involve hardship, anxiety, and a certain level of suffering; these hold my occasional bouts of existential dread at bay.

May 2, 2016

Going Places No One Else Goes: The Millions Interviews Pamela Erens 1

I knew from the start that Eleven Hours would be short, because of the time frame and because there were only so many uterine contractions I could describe without losing my shit.

April 11, 2016

Judging Books by Their Covers 2016: US vs. UK 5

Only a fool would think these covers came from different countries. They were clearly designed in alternate dimensions.

February 1, 2016

Maybe It Was Worth It: The Millions Interviews Alexander Chee 4

When I ran out of money, I moved to my Mom’s in Maine, Charles D’Ambrosio-style, writing in her basement every morning starting at 5 a.m., taking a break for Buffy the Vampire Slayer reruns at 11 a.m. and making an early lunch before working more. It was like the weirdest saddest colony stay, about three months.

December 13, 2015

A Year In Reading: Claire Cameron 0

Yanagihara’s novel has fueled conversations across four social networks, five countries, and countless years of friendship. That’s more than enough to count as my book of the year.

October 19, 2015

The Fine Edge Between Comedy and Horror: The Millions Interviews Margaret Atwood 2

I have a feeling that a piece of furniture with a sex thing built into it came and went fairly swiftly. The furniture has fairly quickly been superseded by the advances in robotics.

August 14, 2015

How Does it Feel? On Finishing a Book 0

It’s relieving, it’s gratifying, it’s sad, but above all, it’s weird.

April 30, 2015

The Implications of Artificial Intelligence: On Alex Garland’s ‘Ex Machina’ 14

In subverting current ideas about gender, sci fi, and the thriller genre, Alex Garland delivers a film about theory of mind that is deliciously hard to read.