There are many flavors of noir, but the one that may be the most relevant to our lives today, Julia Ingalls argues, is corporate noir, which often takes the form of science fiction. At the LARB, she writes about several examples of the genre, including Alan Glynn’s Graveland and Natsuo Kirino’s Out.
Thomas Beckwith is a Social Media and Previews Editor for The Millions. A native of Baltimore, he worked in New York for three years before leaving to pursue a Master's degree in Irish literature. You can find him on Twitter at @tdbeckwith.
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