When Damien Searls first read W.G. Sebald, he thought the German writer was uniquely good at factoring historical circumstance into his thinking. Sebald’s unyielding reminders of the horrors of the past were a nice corrective to the feel-good pablums of the ‘90s. But reading Sebald now, Searls thinks something has changed. What happened? The world went online. (Related: Greg Walklin on Sebald’s A Place in the Country.)
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