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By Thomas Beckwith posted at 2:00 pm on February 22, 2013 0

At the New Statesman, Jeanette Winterson reflects on Virginia Woolf’s Orlando, which she celebrates as both a work of fantasy and a “savage satire on sexism.”

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Thomas Beckwith is an intern for the Millions. A native of Baltimore, he worked in New York for three years before leaving to pursue a Master's degree in Irish literature. You can find him on Twitter at @tdbeckwith.

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