“Samuel Greenberg belongs in the pantheon of literary manqués,” writes Jacob Silverman. The poet was a favorite of Hart Crane, who described him as “a Rimbaud in embryo.” But did Crane take his adoration too far? Did he in fact “remix,” re-purpose, or plagiarize some of Greenberg’s work?
Hart Crane: Remix Artist
Comments with unrelated links will be deleted. If you'd like to reach our readers, consider buying an advertisement instead.
Anonymous and pseudonymous comments that do not add to the conversation will be deleted at our discretion.
NEW COMMENTING RULE: Comments may be held for moderation and/or deleted. Whitelisted commenters will see their comments appear immediately. Don't be a jerk. We reserve the right to delete your comment or revoke commenting privileges for any reason we want.