Pete Dexter has been in the news around here lately, and keeping that ball rolling, I’ve contributed a piece to The Rumpus series “The Last Book I Loved” about Dexter’s collection of columns, Paper Trails. Technically, it’s not the last book I’ve loved (more recently there’s been Waiting for the Barbarians, Everything Ravaged, Everything Burned, Shadow Country, A Mercy, and a few others), so let’s just call it “One of the Last Books I Loved.”
C. Max Magee created and edits The Millions. He is co-editor of the collection of essays The Late American Novel: Writers on the Future of Books, called "funny, poignant, relentlessly thought-provoking" by The Atlantic. He has appeared on NPR’s “Weekend Edition”, Minnesota Public Radio’s “Midmorning”, and ABC Radio National's "The Book Show" and has written for a number of publications. He and his family live in New Jersey. If you'd like to correspond, please don't hesitate to email.
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- My god says "“why is a great work, as Ron Charles points out, called “seminal” rather than “ovular?” … Ugh… But leaving that..."Is There No Gender Equity in Nonfiction?
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- Josef Zeko says "Well, the study linked to calls for a quota system."Is There No Gender Equity in Nonfiction?
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- Anne Boyd Rioux says "I agree that we need to get at the root of the problem, although we still very much need to document it as well. The more we call..."Is There No Gender Equity in Nonfiction?