The book that comes most immediately to mind is Andrew Holleran’s Grief, a slim, restrained, beautifully rendered novel about a gay man whose mother has just died and who relocates to Washington, DC, after having cared for her for years. Holleran does so much so well, but perhaps most striking is how compellingly he writes about solitude; many a writer has tried to do that, only to succumb to inertia and solipsism. Another writer who writes wonderfully about solitude (and just about everything else) is William Trevor (if you want brilliant, heartbreaking solitude, take a look at Trevor’s short story “After Rain”), and his new book of stories, Cheating at Canasta, is terrific. So is Donald Antrim’s memoir The Afterlife, which, speaking of grief, is about his mother’s death, but also about many other things, including the purchase of a mattress. I loved Helen Schulman’s A Day at the Beach, the best of the 9/11 novels I read this year. This novel, too, is about grief (are we sensing a theme here?) – political and cultural grief, of course, but also about family grief: the novel is a domestic drama about a marriage in trouble, with 9/11 as the backdrop.
Josh Henkin is the author of Matrimony, a New York Times Notable Book, Borders Original Voices Pick, and Booksense Pick. His short stories, essays, and reviews have appeared in many journals and newspapers. He teaches at Sarah Lawrence College, Brooklyn College, and the 92nd Street Y in New York City. Josh lives with his family in Brooklyn.
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