I was ruminating a bit about the Pulitzer Prize this week and wondering why it isn’t a bigger deal. The bookstore I worked at in Los Angeles may not be indicative of national trends, but while I was there, the Booker Prize and the National Book Award moved more books than the Pulitzer. (The Nobel Prize had a bigger impact on sales than all the other awards combined, believe it or not.) I think part of the reason that the Pulitzer fails to capture the interest of readers is that it’s much less controversial than other awards. Pulitzer winners are almost always safe picks. But part of it, I think, is that the award has no build up. The judges do not announce the nominees (aka the shortlist) in advance, instead the finalists are revealed at the same time as the winner. It’s pretty obvious that having a shortlist would build interest – some might say artificially – by placing the prize in the public eye for longer. But I’d argue that the Pulitzer is worthy of this treatment. Though the picks are often safe, taken together, the Pulitzer winners are an incomplete, but still compelling bunch of books. The Pulitzers are primarily a journalism award, and that, I think, matters too, in that it allows us to equate the novel with journalism, which, at its best, is meant to be a noble and unfrivolous pursuit. (And this isn’t just the J-school grad in me talking.) Finally, giving the Pulitzer a shortlist would just be more fun and it would give us book bloggers more to natter on about.
C. Max Magee created and edits The Millions. He is co-editor of the collection of essays The Late American Novel: Writers on the Future of Books, called "funny, poignant, relentlessly thought-provoking" by The Atlantic. He has appeared on NPR’s “Weekend Edition”, Minnesota Public Radio’s “Midmorning”, and ABC Radio National's "The Book Show" and has written for a number of publications. He and his family live in New Jersey. If you'd like to correspond, please don't hesitate to email.
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