This Reuters article describes how the British publishing house, Jonathan Cape, was forced to release Ian McEwan’s new novel, Saturday, early because the Evening Standard broke a publicity embargo and ran an interview two weeks to soon. Naturally, other newspapers, not wanting to be scooped by the Standard, also ran stories about McEwan’s book too early. Suddenly, Saturday was getting tons of press, but the books weren’t in stores, and now Bertelsmann’s Random House, which owns Jonathan Cape, wants the Standard to pay for the lost revenue that resulted from the runaway publicity chain reaction. The subtext to all of this, especially if you consider the story in light of the creation of the new made-for-tv Quill Awards, is that publishing companies, most of which are now owned by media conglomerates, are trying to market and sell books in the same way they might market and sell movies or music. In Hollywood, the financial success of many a film is determined by the opening weekend, or even the opening night, and all the marketing resources go towards getting people into the movie theatre on the opening weekend. The primary – though unstated – purpose of awards shows is to convince people to see the movies or buy the music that is being honored, not simply to honor it. My experience as a bookseller tells me that books don’t work this way. The book is the ultimate “word of mouth” product. The desire to read a good book is many times more likely to be initiated by a recommendation from a trusted fellow reader (or bookseller) than by a piece of clever marketing or even a prominent review. It’s my opinion that publishers shouldn’t be pushing for the huge first week numbers – forcing a book to boom or bust – but they should give books a chance to survive and thrive on their own merits… the way McEwan’s last book, Atonement, did.
Marketing books like movies
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