Thanks to our friend Edan, who is well-connected in the world of audio books, Mrs. Millions and I had a 6 cd, seven and half hour, unabridged work of literature to keep us company on our recent trip from Chicago to New York, where we’re picking up the dog, and various of our far flung possessions. The Outlaw Sea was a riveting work of non-fiction by an accomplished reporter. Langewiesche is a correspondent for The Atlantic Monthly and has written several books that combine hard reportage with the more ephemeral qualities of a travel writer. In this case, Langewiesche’s goal is to illustrate with bold examples the ungovernability of the sea. For him, this is a law of nature, but it is also a consequence of the inability of the laws of men to deal with sea’s expanses. His case studies, if you will, are many, but he spends the most time on a few memorable stories: the modern day pirate attack on the Alondra Rainbow in 1999; the post-apocalyptic landscape of the world’s most heavily trafficked ship graveyard, the beaches of Alang, India; and the wreck of the ferry Estonia on which at least 852 people died when it went down in a storm in the Baltic Sea in 1994. The subtext in all of these stories is that the tragedies contained within are, at least partly, a result of the inability of modern societies to govern the seas. The greater implication, as Langewiesche makes clear, is that such lawlessness and statelessness make the sea fertile for the operations of lawless, stateless terrorists. The sea is everywhere, but it is nowhere in the eyes of the law. These timely concerns, and Langewiesche’s sturdy prose elevate a book of riveting tales of disasters at sea to a book of more weighty importance.
A Review of The Outlaw Sea by William Langewiesche
In Alexandra Tanner’s ‘Worry,’ Illness Is the Status Quo
In a novel where sisterhood entails constant conflict, illness provides an unexpected emotional salve.
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At Long Last, a Translation Worthy of ‘Pedro Páramo’
The latest translation of 'Pedro Páramo' is a mystifying work, in the dual sense that it is confounding and that its language possesses an almost mystical quality.
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The Collaborative Alchemy of W.G. Sebald’s Photographs
By rephotographing the material Sebald brought to him, Michael Brandon-Jones played a critical role in helping the writer achieve a tonal consistency between text and image.
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Kelly Link’s Romantic Imagination
Though Link’s stories often keep closer bedfellows with Karen Russell and Aimee Bender, her novel is pulpier and more bathetic, in some ways a piece of straight fantasy.
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The Everyday Horror of ‘Other Minds and Other Stories’
In someone else’s hands, these stories might be little more than typeset urban legends, the stuff of 2000s-era AOL email chains, but Sims renders them as something both terrifying and mesmerizing.
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The Violent Truths of ‘Brutalities’
The impulse to simplify the complicated nature of touch, argues Margo Steines, is not just an intellectual but an ethical failure.
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The Truthful Distortions of ‘The MANIAC’
'The MANIAC' is a kind of triptych, presenting us with the conception, painful birth, and exponential growth of the digital computer and its own disquieting offspring, artificial intelligence.
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The Visionary Memoirs of Péter Nádas
'Shimmering Details' is a delicate fusion, supplementing the high-modernist realism of Proust and Musil with an expressionist’s commitment to the distortions generated by strong feeling.
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