Quick Hits

Art Abounds

By posted at 9:40 am on October 13, 2003 0

covercoverThis past weekend, I had the opportunity to see an amazing exhibit at UCLA’s Hammer Museum. I first read about Lee Bontecou in the New Yorker a month or so ago. The article described a young woman artist who had been poised to become a household name, but instead quietly excused herself from the art world for a secluded life in rural Pennsylvania. Now, more than 30 years later she has been coaxed out of hiding for a retrospective that includes the work that first brought her notoriety as well as everything she’s done since then, while working out of the spotlight. I had never heard her name mentioned in art history classes nor had I seen any of her work in New York galleries, yet the article made her work sound undeniably compelling. Having now seen these remarkable wall hangings, constructions, mobiles, and drawings in person, I can say quite frankly that I was truly amazed by her work. It is very difficult to describe Bontecou’s work since it only obliquely relates to the work of other artists of her generation. The intricately fashioned constructions and mobiles are somehow simultaneously emotional and technical, intricate and organic. I implore everyone to see this retrospective. It is a remarkable event. Here’s the deal: 10/5/03 to 1/11/04 at the UCLA Hammer Museum, Los Angeles; 2/14/04 to 5/30/04 at the Museum of Contemporary Art, Chicago; and 7/30/04 to 9/27/04 MoMA QNS, New York. Abrams has put out a lovely companion volume for the retrospective. Also in art, yesterday at the bookstore I noticed a good-looking new book by the whimsical architectural illustrator, Matteo Pericoli. In 2001 Pericoli put out a book called Manhattan Unfurled, a hard bound fold out drawing of the Manhattan skyline as viewed from the perimeter of the island. In a simple yet playful continuous line drawing, the whole of the city is captured from viewpoints across the Hudson and East Rivers. His new book Manhattan Within is another hard bound fold out drawing, but this time it takes an insider’s view of the city. In the same style as before, he draws the skyline of the city as seen from within the confines of Central Park. Both books include journals full of Pericoli’s musings and observations as he trekked inside and outside of the city trying to capture its spirit with pen and paper. Taken together, the two books are a refreshingly new take on an old and much used subject. Visit Matteo Pericoli’s website to see his work.





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