by Daniel Paisner
Baseball can do that, I guess. It can remind you of everything that once mattered to you, everything that matters still. It can brush the great promise of tomorrow against the agreeable sting of the past, and the sorrows of today.0
by Derek Teslik
What better way to test my fortitude than by hammering my head with the legendarily impenetrable Irish jibberish of Finnegans Wake? If I can run 20 yammering nonsensical miles, then an extra six with folks cheering most of the way instead: easy, right? Maybe easier.3
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Hold on to your starched collars: In breaking Shakespeare news, Oxford University Press announced that in its new edition of the complete works of William Shakespeare, Christopher Marlowe will receive credit as co-author on the Henriad plays. And if you’re really tired of Will getting all the credit, you’ll enjoy our recent piece about the surge of interest in Ben Jonson, who’s basically the Third Tenor to their more famous voices.
“An easel stood just inside the big glass doorway when I entered the store. On it leaned my author photo, the one from the back cover of Domestic Violets, and it was fucking enormous. It was the size of a photo you’d expect to see if Bono had been appearing at Barnes & Noble, Bill Clinton maybe, or perhaps the Reverend Desmund Tutu. For a full 30 seconds I stood there and looked at the gigantic, painstakingly airbrushed picture of myself. An elderly couple walked in and did a double take when they saw a stunned-looking me looking at me. ‘It’s too big,’ I told them.” This is what you do when no one shows up to your reading.
“Expertly constructed, Mister Monkey is so fresh and new it’s almost giddy, almost impudent with originality. Tender and artful, Prose’s 15th novel is a sophisticated satire, a gently spiritual celebration of life, a dark and thoroughly grim depiction of despair, a screwball comedy, a screwball tragedy.” Cathleen Schine reviews Francine Prose’s newest novel, Mister Monkey, over at The New York Times.
Man Booker Prize-winner Marlon James is finished talking about diversity, and here’s part of his logic: “A panel on diversity is like a panel on world peace. It should be seeking a time when we no longer need such panels. It should be a panel actively working towards its own irrelevance. The fact that we’re still having them not only means that we continue to fail, but the false sense of accomplishment in simply having one is deceiving us into thinking that something was tried.”
The New York Times recommends eight new books it thinks you’ll like, including Alan Moore‘s Jerusalem, which we reviewed last month, and two novels – Jonathan Lethem‘s A Gambler’s Anatomy, and Jade Chang‘s The Wangs vs. the World – that were on our own most-anticipated October list.
“Terrific ham. The best. Terrific eggs. Were they green? Who knows? So many years.” In case you missed it, the best tweets from yesterday’s #TrumpBookReport trend. Pair with our own Claire Cameron‘s translation of Lauren Groff‘s Fates and Furies for Twitter.
“The broad expansion of digital journalism has led to a growing overlap in the work and roles of newspapers, digital-only news sites, and magazines.” The Pulitzer Prize Board announced yesterday that both print and online magazines will be eligible for the 2017 journalism prizes. This doesn’t make up for 2012, but it’s an improvement.
“[I]t’s important that people begin to understand that whiteness is not inevitable, and that white dominance is not inevitable.” Claudia Rankine talks to The Guardian about her plans for the Racial Imaginary Institute, a think-tank-cum-gallery that she’s founding with all that MacArthur Genius cash. See also: why Americans love poetry, but not poetry books.
“I and my fellow parrots are right here. Why aren’t they interested in listening to our voices?” New short fiction from Ted Chiang over at Electric Literature (and introduced by Year in Reading alum Karen Jay Fowler)! Pair with our encyclopedic survey of primate lit.
“To talk to Le Guin is to encounter alternatives. At her house, the writer is present, but so is Le Guin the mother of three, the faculty wife: the woman writing fantasy in tandem with her daily life.” The New Yorker dedicates a long profile to Ursula K. Le Guin. Pair with our interview with the prolific author.
The New York Public Library has named five finalists for its inaugural Harriet Tubman prize, which recognizes non-fiction books that explore the topic of slavery. You may also want to revisit our own Edan Lepucki‘s essay from a few years back on slavery in fiction.
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Read More The Millions Top 10 September 2016
The Sympathizer Viet Thanh Nguyen
Mr. Splitfoot Samantha Hunt
The Sellout Paul Beatty
Ninety-Nine Stories of God Joy Williams
Zero K Don DeLillo
Barkskins Annie Proulx
The Underground Railroad Colson Whitehead
Innocents and Others Dana Spiotta
Here I Am Jonathan Safran Foer
Pond Claire-Louise Bennett