“We have all heard the claim, ‘the victors write the textbooks.’ Among the many ways to unpack the phrase is this: that once upon a time history was bound to and relied on communally agreed upon facts. That is to say, there was not a culture of record the way there is now. There were not cameras and photographs capturing all human movement or digital archives where information was stored in ‘clouds.’ While our methods for remembering have evolved, the ethical question at the heart of recollection remains: how do we tell about the past and who gets to tell it?” Lindsey Drager writes for the Michigan Quarterly Review about memory and storytelling.

A transcript of Jorge Luis Borges’s conversation with Argentinian poet Osvaldo Ferrari about the power and pleasure of academic knowledge appears in English for the first time. As Borges explains it, “I think that the encyclopedia, for a leisurely, curious man, is the most pleasing of literary genres.”

How do editors discover new talent? John Freeman, the former editor of Granta, on how he finds new writers.

Full Stop’s book club is discussing the stories of Clarice Lispector throughout this week in an in-depth email exchange conducted by contributors Becca Rothfeld and Nathan Goldman. Pair with Magdalena Edwards‘s Millions review of the collection.

The trailer for City on Fire, Garth Risk Hallberg’s highly anticipated 944-page debut novel, is finally here. The trailer features a new song by Paul Maroon and Year in Reading alumnus Hamilton Leithauser. Also check out the opening paragraph of the novel.

New this week: The Heart Goes Last by Margaret Atwood; Gold, Fame, Citrus, by Claire Vaye Watkins; Vertigo by Joanna Walsh; Syllabus of Errors by Troy Jollimore; The Good Story by Nobel laureate J.M. Coetzee and Arabella Kurtz; I Must Be Living Twice by Eileen Myles; and The Complete Works of Primo Levi. For more on these and other new titles, go read our Great Second-Half 2015 Book Preview. Support The Millions: Bookmark this link and start there when you shop at Amazon.

Recommended Reading: This review of Mary Karr’s The Art of Memoir over at Slate. For a bit on Karr and some other Catholic writers with whom she is often associated, here’s an essay from The Millions.

Sylvia Plath’s final days have long been a source of fascination and horror for many readers. In a forthcoming unauthorized biography of Plath’s husband Ted Hughes, it is claimed that one of Hughes’s more contentious poems, “Last Letter,” was written after an argument the couple had the night before Plath took her own life. Ted Hughes: An Unauthorized Life is out next week.

This week, Football Book Club will be reading Pulitzer Prize winner Steven Millhauser’s Edwin Mullhouse, as well as posting essays about Going Clear: Scientology, Hollywood, and the Prison of Belief by Lawrence Wright, lamenting the awful truth about life without the NFL, and probably marveling at the insanity of L. Ron Hubbard.

Could it be for the best that Lisbeth Salander outlived her creator? Do writers own the rights to their own superstar characters, or do the rights belong to the readers? These questions and more are explored in a fascinating essay from The Atlantic. Here’s a Millions piece in which Pippi Longstocking is touted as Salander’s literary forebear.

The Netflix-like book subscription service Oyster Books has shut down and most of its team is heading over to Google. Google is reluctant to admit that Oyster was a purchase, yet sources indicate they will begin paying investors for the right to hire most of their staff. As we wave goodbye, here is one last read from The Oyster Review.

Passionate, intense, fearless … this essay on the history of book blurbs will have you positively clawing yourself with pleasure. We’ve blurbed about blurbs a couple of times here at The Millions.